Jules Bache was born into a Jewish family[1][2] in New York City.[3] His father, Semon Bache [né Bach], emigrated to the United States from his native Nuremberg, Bavaria,[4] settling in New York City, where he started the glassmaking firm Semon Bache & Company.[5]
Career
In 1881, he started work as a cashier at Leopold Cahn & Co., a stockbrokerage firm founded by his uncle. In 1886, he was made a minority partner, and in 1892, he took full control of the business, renaming it J. S. Bache & Co. Jules Bache built the company into one of the top brokerage houses in the United States, outranked only by Merrill Lynch. In the process, he became an immensely wealthy individual, a patron of the arts, and a philanthropist.
During World War I, Jules Bache donated money to the American Field Service in France, and his wife was the honorary treasurer of the "War Babies' Cradle," a charity that provided aid for mothers and children in distress in war-torn Northern France and Belgium to provide them with food, clothing, heating fuel, and medical care.
Jules Bache was a shareholder of a number of prominent corporations and sat on the boards of directors of many of them. Among his personal holdings, Bache had sizeable interests in Canadian mining companies. His equity in these companies was held by his Bahamas-based corporation, which allowed him to legally avoid some of the high personal U.S. surtaxes, a fact for which he would be publicly criticized as a result of the Federal investigations during the 1930s into the causes of the 1929 Wall Street Crash. Bache, however, believed that high taxation was a hindrance to economic growth and published a booklet titled "Release business from the slavery of taxation." A major shareholder in Dome Mines Limited, Bache served as company president from 1919 until 1942 and was Chairman of the Board at the time of his passing. After the brokerage firm of Dillon, Read & Co. acquired the Dodge Brothers Automobile Company in 1923, Jules Bache acquired a substantial position in Chrysler Corporation.
A supporter of American theatre and Broadway, Jules Bache helped found the New York branch of the Escholier Club in 1941.
Personal life and death
Bache married Florence R. Scheftel on May 23, 1892, and they had two daughters.[7]
He told the Literary Digest his name was pronounced Baitch, "A rhyme with aitch." (Charles Earle Funk, What's the Name, Please?, Funk & Wagnalls, 1936.)
In 1937, he opened his magnificent art collection to the public. In 1943 the Second World War forced closure of his museum and the collection was loaned to the Metropolitan Museum of Art which had put its own masterworks into protective storage.[11] In 1943, he donated some of his works to the Detroit Institute of Arts.
Bache was a major donor to the Department of Decorative Arts at the Metropolitan Museum of Art.[12]
At the time of his death in 1944, most of his picture collection, up until that time gifted to the Jules Bache Foundation, was given to the Museum; the remaining works of art from his estate at 814 Fifth Avenue were sold at auction.[13]
^Anne Hilker. "The art of rivalry: The Jules S. Bache collection, its formation and its donation to the Metropolitan Museum of Art, 1919–44." Journal of the History of Collections, 36, Issue 2, July 2024: 319–338. https://doi.org/10.1093/jhc/fhad044
^New York Herald Tribune, Sunday, April 1, 1945, p. 20 "Jules S. Bache Art Collection is Going on Sale: Works Not Donated to the Metropolitan Museum To Be Sold April 19, 20, 21." The auction was held at the Kende Galleries of Gimbel Brothers. The New York Times, Sunday, April 1, 1945 adds that 'oil paintings and terracotta statuary' were to be sold on April 25.