Fellowships from the John Michael Kohler Arts Center, North Carolina Arts Council, the Mid Atlantic Arts Foundation, the Rutgers Center for Innovative Print and Paper, the Carolina Postdoctoral Scholars Fellowship, and the Phillip Morris Companies
Juan Logan (born August 16, 1946) is an American artist from Nashville, Tennessee.[1] His paintings, sculptures, and installations are reflective of his experiences of racial and institutional power structures in the South and prompt viewers to consider social responsibility.[2][3]
Early life
Juan Logan was born in Nashville, Tennessee, to John Louie Logan, a minister and founder of John Calvin Presbyterian Church,[4] and Madge Sarah Jane Grier, an elementary school teacher. When his father became ill, the family moved from Nashville to his father's home town in Marion, North Carolina in 1949. John Louie Logan died later that year. Madge Grier remarried in 1950, and four years later the family moved to her birthplace, Belmont, North Carolina. Juan and his family moved into a new house built by his grandfather James W.W. Grier and several other family members.[5]
Logan's interest in art began in 1960 while attending Reid High School, the black high school in Belmont at the time.[6]
Education
Growing up in a black farming community was critical to Logan's ability to see and create "things". The process of making objects was very important to his stepfather, as well as his grandfather James William Washington Grier. The family took pride in finding innovative solutions for creating objects instead of purchasing them, and stressed the importance of self-sufficiency.[7]
After graduating high school in 1964, Logan attended Howard University in Washington, D.C.[8] His hope was to major in science like his older brother John, who had majored in chemistry. Logan began his academic career with the intention of focusing on biology with a specialization in microbiology. He came to realize that his interest was not in science, but in art. At the university, he was exposed to James A. Porter, James Wells, and Lois Mailou Jones, who influenced his creative development.
After a brief stay at Howard, Logan moved on to Clark College (now Clark Atlanta University) to study art. Floyd Coleman was the chairman of the department, and was very supportive of Logan. "Floyd Coleman was the first artist I'd ever encountered who was really dealing with political issues in an in-your-face kind of way. His paintings provided me with the impetus to explore both social and political concerns." Logan later realized he could do this through the use of color, image, symbol and metaphor, elements which remain a critical part of his work.[9]
After leaving Clark, Logan joined the US Air Force in 1967 and served as a jet engine mechanic active in the Vietnam War. His military experience was crucial to shaping his exploration of American social and political constructs in his artwork. A number of his paintings, including I Am Black and Black American Dream from the late 60s and early 70s, responded to that experience. Logan's choice to use the language of abstraction in these and subsequent works provided him with an opportunity to explore ideas more broadly than realism, in his opinion, provided.[9]
In addition to creating his own work, Logan is the Conservation Manager at Vollis Simpson Whirligig Project, where he actively restored 31 large-scale sculptures created by artist Vollis Simpson for the city of Wilson, North Carolina.[11]
Logan was selected as one of the designers for the original iteration of the North Carolina Freedom Monument Project,[12] a public park in Raleigh.[13]
^Williams, Lyneise (2006). Juan Logan, Caught Off Guard: Selected Works from 1965-2005. Kenessaw, GA: Kennesaw State University. p. 8. ISBN0-9777179-1-7.
^Williams, Lyneise (2006). Juan Logan, Caught Off Guard: Selected Works from 1965-2005. Kennesaw, GA: Kennesaw State University. p. 10. ISBN0-9777179-1-7.
^Yockey, Ross (1996). Between Two Rivers. Charlotte, NC: Sally Hill McMillan and Associates. p. 170. ISBN0-9633643-1-6.
