Jennifer Lines
Canadian theatre and television actress
Lines (right) performing in a stage-play with Benedict Campbell at 2015
Jennifer Lines is a Canadian theatre and television actress .
Lines graduated with a Bachelor of Fine Arts in Theatre from the University of Victoria .[ 1] She has starred in productions at the Arts Club Theatre ,[ 2] [ 3] Bard on the Beach ,[ 4] [ 5] Vancouver Playhouse [ 6] and the Belfry Theatre . She has played in Beyond Eden , The Amorous Adventures of Anatol , A Little Night Music and Hello Dolly at the Vancouver Playhouse.[ 1] Her stage credits for the Art Club include It's a Wonderful Life , The Real Thing , Here on the Flight Path and Sylvia .[ 1]
Lines has received several Jessie Richardson Theatre Award nominations. She was nominated for a Jessie Richardson Award in 2014 for the category of Outstanding Performance by an Actress in a Supporting Role for Small Theatre for her performance in Whose Life Is It Anyway? staged by Realwheels Theatre .[ 7] Lines has been fascinated by Shakespeare's plays from an early age.[ 8]
Lines was praised by the Globe and Mail for her gender-bending portrayal of Horatio in the Bard on the Beach's 2013 staging of Hamlet .[ 9] The Georgia Straight has praised Lines for both her technical skill and for being "emotionally present" as an actress.[ 10] The Province calls Lines' performance "classic."[ 11] Vancouver Sun calls Lines one of "Vancouver's brightest stars of the theatre."[ 12]
Selected stage credits
Simone in Après Moi, staged by Ruby Slippers Theatre in association with BoucheWHACKED! Theatre Collective (2015).[ 13]
Horatio in Hamlet , staged by Bard on the Beach (2013).[ 9]
Olivia in Twelfth Night , staged by Bard on the Beach (2013).[ 10]
Mary Bailey in It's a Wonderful Life , staged by Arts Club Theatre (2012).[ 11]
Mimi in Mimi or a Poisoner's Comedy , staged by Touchstone Theatre (2010).[ 14]
Beatrice in Much Ado About Nothing , staged by Bard on the Beach (2010).[ 15]
Cleopatra in Antony and Cleopatra , staged by Bard on the Beach (2010).[ 16]
Luciana in A Comedy of Errors , staged by Bard on the Beach (2009).[ 17]
Ariel in The Tempest , staged by Bard on the Beach (2008).[ 18]
Annie in The Real Thing , staged by StoppardFest (2007).[ 19]
Cressida in Troilus and Cressida , staged by Bard on the Beach (2006).[ 20]
Rosaline in Love's Labour's Lost , staged by Bard on the Beach (2005).[ 21]
Mistress Ford in Merry Wives of Windsor , staged by Bard on the Beach (2004).[ 22]
Margaret in Much Ado About Nothing , staged by Bard on the Beach (2004).[ 23]
Adriana in A Comedy of Errors , staged by Bard on the Beach (2003).[ 24]
Nerissa in The Merchant of Venice , staged by Bard on the Beach (2003).[ 25]
Katherine in Henry V , staged by Bard on the Beach (2002).[ 26]
Maria in Twelfth Night , staged by Bard on the Beach (2002).[ 27]
Julia in The Two Gentlemen of Verona , staged by Bard on the Beach.[ 28]
Maria in Love's Labour's Lost , staged by Bard on the Beach (1997).[ 29]
Mopsa in The Winter's Tale , staged by Bard on the Beach (1997).[ 30]
Margaret in Much Ado About Nothing , staged by Bard on the Beach (1996).[ 31]
Jessica in The Merchant of Venice , staged by Bard on the Beach (1996).[ 32]
References
^ a b c "Jennifer Lines" . Touchstone Theatre . 10 May 2016.[permanent dead link ]
^ "Theatre Review: It's a Wonderful Life" Vancouver Sun Retrieved January 16, 2009
^ "Jennifer Lines and Bob Frazer in the Arts Club Theatre Company's production of It's a Wonderful Life" . Edmonton Journal . Retrieved 9 May 2016 .[permanent dead link ]
^ "Bard on the Beach: Fresh breeze blows through spirited study of Tempest" Vancouver Sun Retrieved January 16, 2009
^ Thorkelson, Erika. "Will's Wake: Love of Shakespeare alive and well 400 years after his death" . Vancouver Sun . Retrieved 9 May 2016 .
^ "A little night music" Georgia Straight Retrieved January 16, 2009
^ "Nominations for the 32nd Annual Jessie Richardson Awards" . The Cultch . 23 May 2014. Retrieved 10 May 2016 .[permanent dead link ]
^ Thorkelson, Erika (30 March 2016). "Will's Wake: Love of Shakespeare Alive and Well 400 Years After His Death" . Ottawa Citizen . Archived from the original on 9 June 2016. Retrieved 9 May 2016 .
^ a b Lederman, Marsha (9 July 2013). "A Superb Hamlet for Modern Times on Show at Bard on the Beach" . The Globe and Mail . Retrieved 9 May 2016 .
^ a b Thomas, Colin (27 June 2013). "Bard on the Beach's Twelfth Night is Heavy on Concept" . The Georgia Straight . Retrieved 9 May 2016 .
^ a b Barr, Catherine "Cat" (10 December 2012). "It's a Wonderful Life and Dean Paul Gibson Sparkle for the Holidays in Vancouver" . The Province . Archived from the original on 4 June 2016. Retrieved 9 May 2016 .
^ Waber, Angelika (3 August 2015). "Ignore critics: Bard on the Beach is great" . Vancouver Sun . Retrieved 10 May 2016 . [permanent dead link ]
^ Oliver, Kathleen (29 January 2015). "Après Moi and The List Provide a Glimpse Into Quebec's Vibrant Theatre Scene" . The Georgia Straight . Retrieved 9 May 2016 .
^ Rabinovitch, Andrea (13 November 2010). "Stylish Romp With a Deadly Outcome in Mimi or a Poisoner's Comedy" . Vancouver Observer . Retrieved 9 May 2016 .
^ "Much Ado About Nothing" . Vancouver Plays . June 2010. Retrieved 10 May 2016 .
^ Warner, Andrea (1 July 2010). "Antony and Cleopatra" . The Writerly Life . Retrieved 10 May 2016 .
^ Oliver, Kathleen (15 June 2009). "Bard on the Beach Creates a Giddy Comedy of Errors" . The Georgia Straight . Retrieved 9 May 2016 .
^ Thomas, Colin (3 July 2008). "Magic and Music at Heart of Meg Roe's Tempest" . The Georgia Straight . Retrieved 9 May 2016 .
^ Prokosh, Kevin (20 January 2007). "StoppardFest's Funny, Bracing Opener The Real Thing" . Winnipeg Free Press . Retrieved 9 May 2016 .
^ Bevington, David (2015). "Additions and Reconsiderations" . Troilus and Cressida . Bloomsbury. p. 127. ISBN 9781472584731 .
^ O'Connor & Goodland 2011 , p. 126.
^ O'Connor & Goodland 2011 , p. 177.
^ O'Connor & Goodland 2011 , p. 220.
^ O'Connor & Goodland 2011 , p. 36.
^ O'Connor & Goodland 2011 , p. 169.
^ O'Connor & Goodland 2011 , p. 77.
^ O'Connor & Goodland 2011 , p. 342.
^ O'Connor & Goodland 2011 , p. 352.
^ O'Connor & Goodland 2011 , p. 117.
^ O'Connor & Goodland 2011 , p. 360.
^ O'Connor & Goodland 2011 , p. 209.
^ O'Connor & Goodland 2011 , p. 161.
Sources
External links