Cohen thought "it wasn't a bad movie" except for the casting of Boone; Cohen felt Boone's face was so distinctive the concept of the film did not work. Cohen says there was some talk of remaking the film years later as a vehicle for Andrea Bocelli but it did not proceed because of concerns over Bocelli's acting ability. The film was executive produced by Aaron Spelling.[2]
Reception
Academic Tony Williams called the film "one of Cohen's most innovative works" despite the miscasting of Boone.[1]