Huayan Temple has been burned down and rebuilt several times. The Mahavira Hall and Buddhist Texts Library still preserve the architectural style of the Liao and Jin dynasties (907–1234).
It is an artistic complex of ancient Chinese architecture, sculpture, frescoes and inscriptions, as well as a cultural synthesis of religion and politics.
History
Liao dynasty
The temple was first established in 1038, in the 7th year of Chongxi period (1032–1055) in the Liao dynasty (907–1125). The name of "Huayan" derives from Avatamsaka Sutra, which more commonly known as "Huayan Sutra" (华严经) in China. Part of the temple was devastated in 1122, during the war between Liao and Jin dynasties.[1]
During the reign of Emperor Wuzong (1308–1311) in the Yuan dynasty (1271–1368), abbot Huiming (慧明) supervised the reconstruction of Huayan Temple. Mahavira Hall, abbot's room, and dining room were gradually renovated. In the heyday of the temple, it had hundreds of halls and rooms. After the fall of the Yuan dynasty, most of the temple buildings were destroyed in the battle between the Hongjin and Mongolian armies.[1]
Ming dynasty
In the early Ming dynasty (1368–1644), the temple was confiscated. It reactivated its religious activities in the mid-15th century, during the Xuande (1426–1435) and Jingtai periods (1450–1456).[1]
Qing dynasty
At the dawn of the Qing dynasty (1644–1911), in 1648, Huayan Temple was reduced to ashes by a devastating fire, with only the Mahavira Hall and Buddhist Texts Library remaining. The temple declined and incredibly disappeared during the middle and later Qing dynasty.
People's Republic of China
After the founding of the Communist State, the government provided great protection for the temple.
The Mahavira Hall was rebuilt in 1140 under the Jin dynasty (1115–1234). It is nine rooms wide, five rooms deep and covers an area of 1,559-square-metre (16,780 sq ft). On each end of the main ridge is giant Chiwen, a legendary animal with a dragon head and fish tail with colorful glaze and vivid style. They are relics of the Jin (1115–1234) and Ming dynasties (1368–1644).[2]
In the center of the hall enshrines the statues of the Five Tathagathas, which were carved in the Xuande period (1426–1435) of the Ming dynasty (1368–1644). Inner walls were painted with 21 frescos in the Guangxu era (1875–1908) of the Qing dynasty (1644–1911).[2][3]
Liang Sicheng (2005). "Chapter Six: Five dynasties, Song, Liao and Jin dynasties's Real Objects: Buddhist Texts Library and Haihui Hall in Huayan Temple" 《第六章:五代·宋·辽·金之实物:华严寺薄伽教藏及海会殿》. 《中国建筑史》 [Architecture History in China] (in Chinese). Heping District, Tianjin: Baihua Literature and Art Publishing House. ISBN7-5306-4168-9.
Liang Sicheng (2010). "Statues in the Buddhist Texts Library at Huayan Temple in Datong, Shanxi" 《辽一:山西大同华严寺薄伽教藏殿造像(上和下)》. In Lin Zhu (ed.). 《佛像的历史》 [History of Buddhist Statues] (in Chinese). Beijing: China Youth Press. ISBN978-7-5006-9253-9.