Henryk Opieński (13 January 1870 – 21 January 1942) was a Polish composer, violinist, teacher, administrator and musicologist. His writings on, and collected letters by, Frédéric Chopin, were considered of paramount importance in Chopin studies of the time.[1]
Between 1888 and 1892 he studied chemistry at university in Prague to please his parents,[1] while continuing his violin studies with Ferdinand Lachner.[2] From 1892 to 1894 he returned to Kraków and worked in the chemical industry, being appointed controller of distilleries at Żółkiew and Rzeszów.[1] He then resumed his study of composition with Władysław Żeleński.[1][2]
Back in Poland from 1901, he continued his life as a violinist and also founded the choir of the Warsaw Philharmonic Orchestra.[2]
From 1904 to 1906 he worked with Arthur Nikisch (conducting) and Hugo Riemann (musicology) in Leipzig. In 1906 he made his debut as an operatic conductor at the Municipal Theatre in Lviv.[2]
From 1908 to 1911 Henryk Opieński worked as a conductor in a theatre orchestra in Warsaw and was assistant conductor to Grzegorz Fitelberg at the Warsaw Philharmonic.[2] From 1909, he taught at the Warsaw Musical Society. In January 1910, to mark the centenary year of the birth of Frédéric Chopin, he conducted the Polish premiere of Paderewski's Symphony in B minor "Polonia" (1908).[3]
In 1911 he founded the first Polish magazine devoted to musicology, Musical Quarterly (Kwartalnik musyczny), editing it until 1914. He was also editor of Echo muzyczne.[1] In 1913–14 he was musical director of the newly opened Polish Theatre in Warsaw.[2]
Opieński lived in Switzerland during World War I. In 1917 he founded a mixed choir in Lausanne, called "Motet et Madrigal", specializing in performances of the works of composers of the sixteenth and seventeenth centuries.
After returning to Poland, Opieński directed the National Conservatory of Music in Poznań 1920–26, while continuing in numerous administrative roles in other music organisations.[1] His students there included Stanislas Niedzielski and Stefan Bolesław Poradowski.
He moved permanently to Morges, Switzerland in 1926 when he married his second wife, Lydia Barblan,[4] later known as Lydia Barblan-Opieńska (1890–1983), a singing teacher and composer of a cantata, piano pieces, choral works and songs. He resumed directing "Motet et Madrigal", and led them on tours of Switzerland, France, Austria, the Netherlands, Czechoslovakia, Germany and his native Poland.[1] He was invited to join the jury of the 1927 International Chopin Piano Competition but was unable to accept.
His collected letters of Chopin, edited and translated by E. L. Voynich, were published in 1931.[5]