New York urologist Harold Lear gets a taste of his own medicine when he suffers a heart attack and is confronted with a medical institution which does not seem equipped to help. Wife Martha steps in to fight the system and get a measure of service and compassion. Ultimately the greatest battle is not waged against the medical profession, however, but against Lear's own failing body and his own mortal fears.
Veteran television producer Norman Lear, who was Harold Lear's cousin, produced the film, initially offering the lead role to Paul Newman in anticipation of a theatrical release. Uneasy about the prospect of portraying an infirm and moribund character, Newman declined to participate.[1] Garner, however, had been in and out of hospitals from the age of five and had no reservations about accepting the role.
According to The Washington Post, author Martha Weinman Lear said: "I'm thrilled by the casting" and "I'm extremely lucky to have landed in the care of all these people… The screenplay is incredibly faithful to the spirit and substance of the book."[2]
Reception
Critical response
The New York Times' television critic John J. O'Connor wrote that "the film packs something of the wallop of a powerful and unblinking documentary" and lauded the performances of Moore and Garner.[3] The Peabody Awards noted that "both Moore and Garner turn in captivating performances and take full advantage of a lean and emotionally powerful script."[4]
In the wake of his "frighteningly convincing"[3] performance, Garner was nominated for an Emmy and a Golden Globe.