The story is set during the 16th-century wars between the Republic of Venice and the Ottoman Empire and concerns a Venetian admiral, Lorédan, who can never forgive himself for once having cheated at dice. The title character is a Cypriot slave girl; her name is taken from Haidée, the pirate king's daughter, in Byron's poem Don Juan.
Lorédan is the commander of a naval fleet, with a ward named Rafaela, and a slave girl named Haydée, who is deeply in love with him. He has just had Andrea, a naval captain, pledge himself to his service. Lorédan's second-in-command is Malipieri, a spy for the Council of Ten. Malipieri overhears Lorédan talking in his sleep about a great crime in his past: in his youth, he cheated at dice in order to win the fortune of the Venetian senator Donato, who then killed himself. Racked with guilt, he has spent the rest of his life seeking the senator's son, to try and make amends.
After Andrea captures a Turkish ship, Malipieri attempts to steal his prize money for having done so, but Lorédan overrules him. Malipieri darkly threatens to expose Lorédan's crime, demanding Haydée's hand in marriage in order to keep silent, and reveals she is really a princess. Haydée, being deeply in love with Lorédan, offers to do this to save him. This proves deeply troubling.... until a messenger reveals that Andrea killed Malipieri in a duel, and that Andrea is the son of Senator Donato. Andrea and Lorédan reconcile, Lorédan marries Haydée; Andrea marries Lorédan's daughter, Rafaela; and Lorédan becomes Doge of Venice.
Recordings
Isabelle Philippe (Haydée); Bruno Comparetti (Lorédan Grimani); Paul Medioni (Malipieri); Anne Sophie Schmidt (Rafaela); Mathias Vidal (Andréa Donato); Stéphane Malbec-Garcia (Doménico); Michael Swiereczewski (conductor); Théâtre Impérial de Compiègne; Pierre Jourdan (artistic director); André Brasilier (scenery); Jean-Pierre Capeyron (costumes); Thierry Alexandre (lighting). Kultur Video D4244 (Region 1, NTSC, 137 min, 16:9 anamorphic), 2005.
References
Notes
^ abWolff S. Un demi-siècle d'Opéra-Comique. André Bonne, Paris, 1953.