Annual award given by the Hollywood Professional Association
The HPA Award for Outstanding Sound – Television is an annual award, given by the Hollywood Professional Association (HPA), to post-production workers in the film and television industry, in this case sound. It was first awarded in 2006 and has been presented every year since. From 2006 to 2009, the category was titled HPA Award for Outstanding Audio Post – Television.
Thomas DeGorter (supervising sound editor); Paula Fairfield, Carla Murray (sound designers/sound effects editors) Alex Levy (music editor); Maciek Malish (dialogue editor); Frank Morrone, Scott Weber (re-recording mixers)
John Benson (supervising sound editor), Jason Krane (dialogue/adr editor), Christian Buenaventura (dialogue editor), Stuart Martin (sound effects editor), Bruno Coon (music editor)
Walter Newman (supervising sound editor); Darleen Stoker (dialogue editor); Kenneth Young (sound supervisor); Mark D. Fleming, Tom E. Dahl (re-recording mixers)
Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound effects editor); Larry Goeb (dialogue editor); Alan Decker, Nello Torri (re-recording mixers)
Lou Thomas (sound designer/supervising sound editor); Jerry Ross (supervising sound editor); Tim Farrell, Phil Barrie (sound effects editors); Gary D. Rogers, Dan Hiland (re-recording mixers); Bartek Swiatek (production sound mixer)
Fred Judkins (supervising sound editor); John Snider (sound effects editor); Christian Buenaventura (dialogue editor); Pete Elia, Kevin Roache (re-recording mixers)
Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound effects editor); Alan Decker, Nello Torri (re-recording mixers); Larry Long (production sound mixer)
Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, William Freesh (re-recording mixers)
Fred Judkins (supervising sound editor); John Snider (sound effects editor); Christian Buenaventura (dialogue editor); Larry Benjamin, Kevin Valentine (re-recording mixers)
Jeremy Molod (supervising sound editor); Ren Klyce (sound designer); Jonathon Stevens (music editor); Nathan Nance, Scott R. Lewis (re-recording mixers)
Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, Kenneth Kobett (re-recording mixers)
Susan Cahill (supervising sound editor); Mark Cleary, Kevin McCullough (sound effects editors); Jane Boegel (dialogue editor); Keith Rogers, Scott Weber (re-recording mixers)
Jeremy Molod (supervising sound editor); Ren Klyce (sound designer); Jonathon Stevens (music editor); Nathan Nance, Scott R. Lewis (re-recording mixers)
Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, Kenneth Kobett (re-recording mixers)
Trevor Gates (supervising sound editor), Jason Dotts (supervising dialogue editor), Paul B. Knox (sound effects editor), Walter Spencer (foley artist), Jonathan Wales (re-recording mixer)
Joe Beal (sound designer), Stefan Henrix (supervising sound editor), Michael Maroussas (dialogue editor), Harry Barnes (adr supervisor), Stuart Hilliker (re-recording mixer)
Benjamin L. Cook (sound designer); Mandell Winter (sound supervisor); Daniel Colman (supervising sound effects editor); Micha Liberman (music editor); John W. Cook II, William Freesh (re-recording mixers)
Jeffrey A. Pitts (sound designer); Kevin W. Buchholz (supervising sound editor); Polly McKinnon (dialogue editor); Ben Zales (music editor); John W. Cook II, William Freesh (re-recording mixers)