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Grimeborn
Grimeborn is an annual East London musical theatre and opera festival which coincides with the world famous East Sussex Glyndebourne Opera Festival. Founded by Arcola Theatre's artistic director Mehmet Ergen in 2007, the festival is held at Arcola Theatre in Dalston, East London. It takes place in and around August, and tends to showcase new and experimental works alongside radical productions of classic opera, using both the Arcola's performing stages.
History
The festival's name is a punning reference to Glyndebourne. The "grime" element refers to the "dirtier" backdrop of the Arcola Theatre, a converted textile factory in the congested bustle of Hackney as opposed to the scenic gardens of East Sussex.
Originally, Grimeborn was devised as a contemporary contribution to the Battersea Arts Centre's (BAC) Opera Festival. The BAC Opera Festival's Artistic Director at the time, Tom Morris, asked Ergen, who was working at the BAC as an Associate Producer, to create something different from normal operatic preconceptions in a manner similar to Tête à Tête, who were also taking the stage at the BAC Opera Festival that year. Grimeborn became an opera and musical theatre festival in its own right, with the Arcola Theatre its exclusive host.
2019
2018
List not complete: awaiting further additions
| Opera |
Composer |
Production Company |
Conductor or Music Director |
Director |
Designer
|
| Greek (30th anniversary production) |
Mark-Anthony Turnage |
Arcola Theatre |
Tim Anderson |
Jonathan Moore |
Baśka Wesołowska
|
| Lucia di Lammermoor |
Gaetano Donizetti |
Fulham Opera |
Ben Woodward |
Sarah Hutchinson |
Anna Yates
|
| The Prometheus Revolution |
Keith Burstein |
Fulham Opera |
Ben Woodward |
Sophie Gilpin |
Sunny Smith
|
| The Boatswain's Mate |
Ethel Smyth |
Spectra Ensemble |
John Warner |
Cecilia Stinton |
Christianna Mason
|
2017
List not complete: awaiting further additions
2015
List not complete: awaiting further additions
| Opera |
Composer |
Production Company |
Conductor or Music Director |
Director |
Designer
|
| The Medium /The Wanton Sublime |
Peter Maxwell Davies /Tarik O'Regan |
Opera Room Productions |
Andrew Griffiths |
Robert Shaw |
Gillian Argo
|
| Daphne |
Richard Strauss |
Opera at Home |
José Manuel Gandia |
José Manuel Gandia |
|
| Gala |
Ergo Phizmiz |
|
|
Ergo Phizmiz |
Luis Carvajal
|
2014
List not complete: awaiting further additions
| Opera |
Composer |
Production Company |
Conductor or Music Director |
Director |
Designer
|
| The Medium |
Gian Carlo Menotti |
OperaView |
Maite Aguirre |
Natalie Katsou |
Maria Kalamara
|
| Madame X |
Tim Benjamin |
Radius |
Anthony Brannick |
|
Lara Booth
|
| Werther |
Jules Massenet |
|
Philip Voldman |
Aylin Bozok |
|
2012
Curated by Mehmet Ergen and produced by Leyla Nazli (21 August - 8 September)
2011
2010
Curated by Andrew Steggall and produced by Leyla Nazli (9 August – 21 September)[1]
| Opera |
Composer |
Production Company |
Conductor or Music Director |
Director |
Designer
|
| The Rape of Lucretia |
Benjamin Britten |
|
Thomas Blunt |
Max Key |
Sarah Bacon
|
| Spilt Milk |
Timothy Burke (libretto by James Waterfield) |
|
|
|
|
| Trouble in Tahiti |
Leonard Bernstein |
|
Timothy Burke |
Nina Brazier |
Polly Webb-Wilson
|
| The Prodigal Son /The Homecoming |
Benjamin Britten /Felix Mendelssohn |
|
Elizabeth Burgess |
Joe Austin |
Simon Kenny
|
| Vice |
Jools Scott (libretto by Sue Curtis) |
|
|
|
|
| The Raven |
Matt Rogers |
|
|
Sinead O'Neill |
Sarah Bacon
|
| Crow |
Michael Rouston |
|
|
Mark McInnes |
|
| Poison Garden |
Louis d'Heudieres (libretto by Daisy Evans) |
Waistcoat Company |
Louis d'Heudieres |
Daisy Evans |
Daisy Evans
|
| The Diaries of Adam and Eve |
David Josiah Moore |
|
|
Ben Gwalchmai |
|
| How I Wonder |
Dominique Le Gendre |
|
|
Irene Brown |
|
| The Stone Heart |
Alexander Campkin (libretto by Lewis Reynolds) |
|
|
|
|
| Cocteau in the Underworld |
Ed Hughes (libretto by Roger Morris) |
Heather Doole for Metta Theatre |
Carlos Del Cueto |
Poppy Burton-Morgan |
William Reynolds
|
| Les Enfants Terribles |
Philip Glass |
|
|
Andrea Ferran |
Sarah Bacon
|
2009
Curated by Alex Sutton and produced by Leyla Nazli (24 August – 5 September)[2]
- The Descent of Inanna: Bare Bones Version, Produced by: Opera Exchange
- An Unorthodox 1-2 Produced by: Aurelie
- Ride, Produced by: Filament, Composer: Osnat Schmool, Director: Sabina Netherclift
- Phedre, Produced by: ElectrOpera, Composers: Sally Rodgers, Steve Jones, Director: Philippe Cherbonnier
- Something Strange by Rebecca Applin and Michael Caines
- To Die A Second Time, Produced by: Double Agent, Director: Teunkie Van Der Sluijs
- The Tender Land by Aaron Copland, Produced by: Mad Cow Theatre Company, Director: Katherine Hare, musical director: Leigh Thompson, Choreographer: Racky Plews
- The Savage (original story David Almond) & The Island (original story Armin Greeder), Composed, written and performed by the Arcola Youth Project under the guidance of Jenifer Toksvig (libretto) and Nick Sutton (music).
- Disappeared, Produced by: The Theory of Everything, Devised and directed by: Pia Furtado and members of the cast, featuring traditional gypsy music Inspired by and featuring Janáček's song cycle.
- The Work of Art by Conor Mitchell and Jenifer Toksvig
- Goodbye Barcelona, Produced by: Arcola Theatre, Composer: KS Lewkowicz, Playwright: Judith Johnson, Director: Karen Rabinowitz
- Why Are Clowns?, Produced by: L'Oiseau Chante, Composer: Ewen Moore, Director: Aaron Paterson
- Presenting... The News, Produced by: Size Zero Music Theatre, Composer & director: Laura Jayne Bowler
- Dante by Peter Longworth, Director: Holly McBride
- The Wonderful Thing About Lizards by Lucy Smith, Director: Toria Banks
- Abraham and Isaac, Produced by: Metta Theatre, Composer: Benjamin Britten, Director: Poppy Burton-Morgan
- Pig, Greed (Jonathan Dove); Cinderella(Stephen Oliver Produced by: Bitesize Opera, Director: Toria Banks
- Jephtha by Handel, Director: Ralph Bridle, Conductor: Wolfgang Kostner
- Stolen Voices by Neyire Ashworth, Director & Co-devisor: Kath Burlinson
- La Voix Humaine, Produced by: Renée Salewski & Flat Earth Theatre, Composer: Francis Poulenc, Librettist: Jean Cocteau, Director: Robin Norton-Hale
- A Shropshire Lad, Produced by: Pst! Productions, Cast: Peter Shipman, Director: Jan-Willem van den Bosch
- The Telephone by Gian Carlo Menotti, Director: Nina Brazier, Designer: Polly Webb-Wilson, Costumes: Giulia Scrimieri
- The Singing Bone/Domestic, Produced by: The Stephen Crowe Ensemble, Composer: Stephen Crowe, Directors: Seonaid Goody and Stephen Crowe
- The Woodcutter's Daughter, Produced by: Eclectic Opera, Composer: Richard Cartmale, Librettist: Buffy Sharpe, Cast: Belinda Evans, Glenn Tweedie, Peter Shipman
- Songs of Alchemy, Produced by: Eclectic Opera, Composer: Kirsten Morrison, Director: Jan-Willem van den Bosch
- Grimethorpe Race Presented by: Shared Property Theatre Company Directors: Lizzie Newman and Rachel Parish, Designer: Lucy Sierra, Scenic Artist: Zoe Parsons
- The Spoils, Produced by: Shady Dolls Theatre Company, Composer: Paul Englishby, Director: Steven Dykes
- Music Theatre Now - a cabaret evening dedicated to new musical theatre writing. Featured Composers: Conor Mitchell, Adam Guettel, Raymond Yiu, Ricky Ian Gordon, Tim Saward, Matt Print Director: Alex Sutton, Musical Direction: Leigh Thompson, Cast: Clare Burt and the London Show Choir
- Figaro - The Loyal Subject, Produced by: Grimeborn Opera, Composers: Mozart, Rossini, Milhaud, Adaptator & director: Barnaby Rayfield
- Why Don't You Just Sing Jazz?, Produced by: Opera in Colour, Writer & director: Roger Mortimer-Smith, Devised and produced by: Nadine Mortimer-Smith, Musical Direction: Peter Crockford
- Hothouse, Directed by: Sophie Austin, Musical Direction: Jamie Fagg, Produced by: Kas Darley and Sophie Austin
2008
Curated by Daniele Guerra and produced by Michael Harris and Leyla Nazli (4–23 August)[3]
- The Old Maid and the Thief - composer/librettist: Gian Carlo Menotti; director: Nina Brazier; conductor: Timothy Burke
- A Man of Feeling - composer/librettist: Stephen Oliver; director: Anthony Baker; music director: Tim Henty; soprano: Lisa Wilson; baritone: John Savournin; pianist: James Young
- Dreamspiel - performed by the Ukulele Orchestra of Great Britain; composer: George Hincliffe; librettist: Michelle Carter
- Kindertotenlieder (Songs on the Deaths of Children) - composer: Gustav Mahler; producer/performer: Siobhan Mooney, Mezzo Soprano with Devon Harrison, Baritone and lip-synch-mime artists, Dickie Beau and Lisa Lee - semi-staged and re-imagined by Siobhan Mooney as an anguished duet of blame between Father and Mother. Loosely based on the disappearance of Madeleine McCann director: Janwillen van den Bosch; pianist: Linda Ang
- The Elephant's Child - performed by Metta Theatre; composer: Jessica Dannheisser; director: Poppy Burton-Morgan
- The Nightingale and the Rose - composer/librettist: Jenny Gould; director: Tom Mansfield
- Desire Caught by the Tail - composer: Joseph Finlay; director: Max Webster; associate director: Rachel Grunwald
- Goodbye Barcelona - book: Judith Johnson; music and lyrics: Karl Lewkowicz; director: Mehmet Ergen
- ASH - composer: Rachel Fuller; librettist/director: Jack Shepherd
- Opera of Surveillance - performed by Conversations with Sound and The Irrepressibles; composer/voice practitioner: Jamie McDermott; sound design: William Turner Duffin
- My Feet May Take a Little While (The Errollyn Wallen Songbook) - composer/music director: Errollyn Wallen; director: Daniele Guerra
- Man with a Movie Camera - based on the score composed by Michael Nyman for the British Film Institute's 2002 release of the silent movie Man with a Movie Camera; director: Nigel Lowery
- Kaspar Hauser - based on the story of Kaspar Hauser; composer: Alexis Pope; librettist/director: Anke Rauthmann; musical director: Philip Headlam; designer: Num Stibbe
- Pierrot Lunaire - performed by Cornucopia Theatre Company; composer: Arnold Schoenberg to poems by Albert Giraud; director: Mark Duncan
- Choice - performed by Citric Acid Productions
- Astyanax - by Waterfield & Burke
- A Little Chamber Music - based on the work by Hindemith
- The Boy Who Said Yes by Bertolt Brecht and Kurt Weill; musical director: Timothy Burke; director: Alex Sutton
- The Girl Who Liked to be Thrown Around - performed by Madestrange Opera; composer: Michael Oliva; text: Michael Oliva and Deepak Kalha
- The Bacchae - composer/librettist/musical & artistic director: Alexis Pope; soprano: Tatjana Kiliani; tenor: Emmanuel Fort; bass: Andrew Young; First Bacchae: Sibylla Meienberg
- Stabat Mater - adapted by Buffy Sharpe from Pergolesi's Stabat Mater; performed by Eclectic Opera; director: Poppy Burton-Morgan; soprano: Anna Gregory; countertenor: Peter Shipman; actress: Sarah Paul
- Holoray Holiday - book and lyrics: Rebecca and Sharon Nassauer; composer: Sharon Nassauer; director: Michael Alvarez; musical director: Candida Caldicot
2007
Curated by Andrew Steggall and produced by Michael Harris and Leyla Nazli (19 August- 2 September)[4]
- The Crocodile - composed by Llywelyn ap Myrddin. Directed by Alex Sutton.
- Hey Jack - composed by Sharon Nassauer, Lyrics by Jackson Lee and directed by Loveday Ingram.
- Nosferatu
- Opera Cabaret
- The Tales of Hoffmann - based on Offenbach's Les contes d'Hoffmann
- Dichterliebe - composed by Robert Schumann to poetry by Heinrich Heine
- Devils Drum
- Arianna a Naxos - based on Haydn's cantata of the same name
- Visions of 7 – conceived and composed by Joanna Foster, performed by 'Anima' with Javier Carmona on percussion.
- Vice - jazz opera based on The Revenger's Tragedy by Cyril Tourneur. Written by Jools Scott and Sue Curtis. Directed by Sue Curtis.
- The Universal Will to Self-Destruct
- Flood - composed & written by Kirsten Morrison and Buffy Sharpe. Performed by Kirsten Morrison Soprano, Siobhan Mooney Mezzo Soprano and Oliver Gibbs Baritone Visuals by Franny Armstrong.
- Pierre - adapted by composer Richard Beaudoin, conducted by Christopher Ward, directed by Andrew Steggall, and played by Constantine Finehouse. The cast included Joseph Kaiser (Tamino in Kenneth Branagh's film The Magic Flute),
- Persephone - a masque in the making. Words by Simon Rae, music by Sue Casson. Amongst the performers Felix Kemp and Sue Casson.
- Fountain Sealed - by Nathan Williamson, Thomas Walton and James Methven.
See also
References
Sources
- Arcola Theatre Past productions. Accessed 17 February 2009.
- Christiansen, Rupert, Grimeborn review: Thrilling romanticism at a very hip party, Daily Telegraph, 31 August 2007. Accessed 17 February 2009.
- Kimberley, Nick, Glorious grime in Grimeborn, Evening Standard 5 August 2008. Accessed 17 February 2009.
- Blunt, Thomas, Conductor [1], “Music at Plush” Accessed 16 August 2010
- Tanner, Mark, [2], “The Spectator, 5 September 2009, Accessed 16 August 2010.
- Taylor, Sebastian, [3], “Islington Tribune”, 12 August 2010, Accessed 16 August 2010
- [4], “Hackney Gazette”, 9 July 2010, Accessed 16 August 2010
- Hall, George,[5], “The Stage”, 11 August 2010, Accessed 16 August 2010
- [6], “East London Lines”, 11 August 2010, Accessed 15 August 2010
- Baracaia, Alexa, [7][permanent dead link], “The London Paper”, 20 August 2009, Accessed 15 August 2010
External links
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