This article is missing information about critical reception of the work. Please expand the article to include this information. Further details may exist on the talk page.(March 2017)
It is narrated by the Biblical King David of Israel, and purports to be his deathbed memoirs; however, this David does not recount his life in a straightforward fashion, and the storyline is often fractured. Indeed, it is possible to read the book as Heller's meditation upon his own mortality, and an exploration of the Jewish view of family, life, death, etc.
At some points, David betrays knowledge of the future (he mentions Michelangelo's David, saying it is ironic that a King of the Jews should stand there uncircumcised), and even of heaven (Moses sits on a rock in the afterworld, working on his stutter) – we are left to guess whether or not this stems from his special relationship with God, as no answers are forthcoming.
Reception
The book was a commercial success: The Times of London reported in late 1985 that it had remained high in the bestseller lists since publication the previous year. [2]
Favourable reviews quoted in the paperback edition (published by Black Swan in 1985) declared that ‘Mr Heller is dancing at the top of his form again… original, sad, wildly funny and filled with roaring’ (Mordecai Richler, New York Times Book Review) and that ‘the book is worth the price of admission for the first few pages alone’ (Martin Amis, The Observer).
