Karl Georg Büchner (17 October 1813 – 19 February 1837) was a German dramatist and writer of poetry and prose, considered part of the Young Germany movement. He was also a revolutionary and the brother of physician and philosopher Ludwig Büchner. His literary achievements, though few in number, are generally held in great esteem in Germany and it is widely believed that, had it not been for his early death, he might have joined such central German literary figures as Johann Wolfgang von Goethe and Friedrich Schiller at the summit of their profession.[citation needed]
In 1828, he became interested in politics and joined a circle of William Shakespeare aficionados, which later on probably became the Giessen and Darmstadt section of the Society for Human Rights (Gesellschaft für Menschenrechte).
While Büchner continued his studies in Giessen, he established a secret society dedicated to the revolutionary cause. In July 1834, with the help of evangelical theologian Friedrich Ludwig Weidig, he published the leaflet Der Hessische Landbote, a revolutionary pamphlet critical of social injustice in the Grand Duchy of Hesse. The authorities charged them with treason and issued a warrant for their arrest. Weidig was arrested, tortured and later died in prison in Darmstadt; Büchner managed to flee across the border to Strasbourg where he wrote most of his literary work and translated two French plays by Victor Hugo, Lucrèce Borgia and Marie Tudor. Two years later, his medical dissertation, "Mémoire sur le Système Nerveux du Barbeaux (Cyprinus barbus L.)" was published in Paris and Strasbourg. In October 1836, after receiving his M.D. and being appointed by the University of Zürich as a lecturer in anatomy, Büchner relocated to Zürich where he spent his final months writing and teaching until his death from typhus at the age of twenty-three.
His first play, Dantons Tod (Danton's Death), about the French Revolution, was published in 1835, followed by Lenz (first partly published in Karl Gutzkow's and Wienberg's Deutsche Revue, which was quickly banned). Lenz is a novella based on the life of the Sturm und Drang poet Jakob Michael Reinhold Lenz. In 1836 his second play, Leonce and Lena, satirized the nobility. His unfinished and most famous play, Woyzeck, exists only in fragments and was published posthumously.
Legacy
By the 1870s, Büchner was nearly forgotten in Germany when Karl Emil Franzos edited his works; these later became a major influence on the naturalist and expressionist movements. Arnold Zweig described Lenz, Büchner's only work of prose fiction, as "the beginning of modern European prose".
Georg Büchner, Werke und Briefe. Münchner Ausgabe (dtv, 1997). ISBN3-423-12374-5.
Georg Büchner, Dichtungen, Schriften, Briefe und Dokumente (Deutscher Klassiker Verlag, 2006). ISBN 978-3-618-68013-0. The most complete, authoritative edition.
Georg Büchner, Complete Plays and Prose, trans. Carl Richard Mueller (Hill and Wang, 1963)
Georg Büchner, The Complete Plays: Danton's Death; Leonce and Lena; Woyzeck; Lenz; the Hessian Messenger; on Cranial Nerves; Selected Letters trans. John Reddick (Penguin Classics, 1993) ISBN0-14-044586-2.
Georg Büchner, Danton's Death, Leonce and Lena and Woyzeck, trans. Victor Price, (Oxford World's Classics, 1998). ISBN0-19-283650-1.
Notes
^"Büchner, Georg." Garland, Henry and Mary (Eds.). The Oxford Companion to German Literature. 2nd ed. Oxford: Oxford University Press, 1986. p. 121.
References
Garland, Henry and Mary (Eds.). The Oxford Companion to German Literature. 2nd ed. by Mary Garland. Oxford: Oxford University Press, 1986. "Büchner, Georg", p. 121.
Heiner Boehncke, Peter Brunner, Hans Sarkowicz. Die Büchners oder der Wunsch, die Welt zu verändern. Societäts-Verlag, Frankfurt am Main, 2008.
External links
Wikimedia Commons has media related to Georg Büchner.
Series on life of Georg Büchner, by Sybille Fuchs, reviewing Georg Büchner: Revolutionary with pen and scalpel, an exhibition from 13 October 2013 to 16 February 2014 at the Darmstadium Conference Centre, Darmstadt: Part 1 – Part 2 – Part 3 – Part 4 – Part 5