Frank Chin (born February 25, 1940) is an American author and playwright. He is considered to be one of the pioneers of Asian-American theatre.
Life and career
Frank Chin was born in Berkeley, California on February 25, 1940. His grandfather worked on the Western Pacific Railroad.[2] He remained under the care of a retired vaudeville couple in Placerville, California until he was 6.[3] At that time, his mother brought him back to the San Francisco Bay Area and thereafter Chin grew up in Oakland Chinatown.[3][4][5] He attended the University of California, Berkeley, where he contributed to the California Pelican.[6] He graduated from the University of California, Santa Barbara in 1965.[3] According to Chin, who had returned from a sabbatical working as the first Chinese brakeman for the Southern Pacific railroad, he intimidated a dean into graduating him with a bachelor's degree in English: "[I said] 'I want a decision by Friday' and he said, 'Well, I'm a very busy man,' and I said, 'You're a working stiff like me - you have a decision Friday and I don't care what it is. Either I've graduated or I haven't graduated because I have to get back to work.' Friday, I walked by the office and the secretary jumps up and says: 'You've graduated!' I said, 'That's all I want to know'."[7]
Early in his career, Chin worked as a story editor and scriptwriter on Sesame Street[8] and as a reporter for KING-TV in Seattle.[7]
Stereotypes of Asian Americans and traditional Chinese folklore are common themes in much of his work. Many of his works revolve around criticism of the racism in the United States. Frank Chin has accused other Asian American writers, particularly Maxine Hong Kingston, of furthering such stereotypes and misrepresenting the traditional stories.[7] Chin also has been highly critical of American writer Amy Tan for her telling of Chinese-American stories, indicating that her body of work has furthered and reinforced stereotypical views of this group.[11] On a radio program, Chin has also debated the scholar Yunte Huang regarding the latter's evaluation of Charlie Chan in his writing.[12] This discussion was later evaluated on the activist blog "Big WOWO."[13]
In addition to his work as an author and playwright, Frank Chin has also worked extensively with Japanese American resisters of the draft in WWII. His novel, Born in the U.S.A., is dedicated to this subject. Chin was one of several writers (Jeffery Paul Chan, Lawson Fusao Inada, and Shawn Wong of CARP, Combined Asian American Resources Project) who worked to republish John Okada's novel No-No Boy in the 1970s; Chin contributed an afterword which can be found in every reprinting of the novel. Chin has appeared in Jeff Adachi's The Slanted Screen, a 2006 documentary film about stereotypical depictions of Asian males in American cinema. Chin was also an instrumental organizer for the first Day of Remembrance.
Chin is also a musician. In the mid-1960s, he taught Robbie Krieger, a member of The Doors, how to play the flamenco guitar.[14] After a stroke in 1990, he lost his ability to play the guitar and, temporarily, to laugh.[7]
Frank Chin in San Francisco, 1975.
Chin was married for five years to Kathy Chang in the 1970s. Kathleen Chang (October 10, 1950 – October 22, 1996), was better known by her performance name Kathy Change. She was a Sino-American political activist, writer, and performance artist.
Bibliography
Plays
The Chickencoop Chinaman (1971) the first play by an Asian American to be produced as a mainstream New York theater production.
Gee Pop! (1976) An unpublished play about Charlie Chan which was produced by East West Players.[15] Elements of this play would appear in some of Chin's later work.
Food for All His Dead, in Asian-American Authors (1972) (Kai-yu Hsu and Helen Palubinskas, ed.) ISBN0395240395
The Year of the Dragon (excerpt), in Modern American Scenes for Student Actors (1978) (Wynn Handman, ed.) ISBN0-553-14559-2
How to Watch a Chinese Movie with the Right "i" in Bamboo Ridge Press Number Five: New Moon (December 1979-February 1980) (Eric Chock and Darrell H.Y. Lum, ed.)
Pidgin Contest Along I-5, in Crossing Into America: The New Literature of Immigration (2003) (Louis Mendoza and Subramanian Shankar, ed.) ISBN9781565847200
Come All Ye Asian American Writers of the Real and the Fake (excerpt), in A Companion to Asian American Studies (2005) (Kent A. Ono, ed.) ISBN9780470996928
Movies
The Year of the Dragon was an adaptation of Chin's play of the same name. Starring George Takei, the film was televised in 1975 as part of the PBSGreat Performances series.
As an actor, Chin, appeared as an extra in the riot scene of the made-for-TV movie adaptation of Farewell to Manzanar.[17][18] Chin was one of several Asian American writers who appeared in the movie; Shawn Wong and Lawson Fusao Inada, who, like Chin were co-editors of the anthology Aiiieeeee!, also acted in the riot scene.
A snapshot from director John Korty's "Farewell to Manzanar." Chin is in the foreground, with Lawson Inada directly behind.
Chin would go on to criticize the movie in the May 1976 issue of Mother Jones.[19]
Documentaries
What's Wrong with Frank Chin is a 2005 biographical documentary, directed by Curtis Choy, about Chin's life.
Frank Chin was interviewed in the documentary The Slanted Screen (2006), directed by Jeff Adachi, about the representation of Asian and Asian American men in Hollywood.
Chin wrote the script for the 1967 documentary And Still Champion! The Story of Archie Moore. Chin's script was narrated by actor Jack Palance. Some of Chin's experiences would be worked into his first play, in which the protagonist is making a documentary about a boxer.
Chin researched and hosted Chinaman's Chance (1972) an Ene Riisna directed documentary focusing on the conditions of Chinatown communities in America. Interview subjects included Roland Winters, Betty Lee Sung, and Ben Fee.
Chin also directed a documentary short in 1972, The Last Temple about the Taoist temple in Hanford, California, which dates back to 1893, and the effort to preserve and restore it.
Theatre Communications Group produced the Legacy Leaders of Color Video Project, a series highlighting influential figures in the American minority theaters. Set to be released in 2017, one of the episodes focuses on Frank Chin, his time with the Asian American Theater Company, and Chin's influence.[20]
In 2019, It Takes a Lunatic a Netflix distributed documentary about Wynn Handman was released. Handman had produced Chin's two plays at the American Place Theatre, and Chin was one of the interview subjects.
^ abcLee, Jonathan H. X. (2015). Chinese Americans: The History and Culture of a People. ABC-CLIO. p. 334. ISBN978-1610695497.
^Terkel, Studs (1992). "Reflections of a Bruised Tiger and an Ironic Cat". Race: How Blacks & Whites Think & Feel about the American Obsession. New Press. ISBN1-56584-000-3.
^— (1991). "Come All Ye Asian American Writers of the Real and the Fake". In Chin, Frank; Chan, Jeffery Paul; Inada, Lawson Fusao; Wong, Shawn (eds.). The Big AIIIEEEEE!: An Anthology of Chinese American and Japanese American Literature. Meridian. ISBN9780452010765.
