It peaked at No. 10 on the Billboard Top Gospel Albums chart.[5]
Critical reception
The Washington Post wrote: "Typical is the catchy lead-off track, David Thomas's 'Come On', which boasts the finger-snapping swing and nicely spread harmonies of a Manhattan Transfer number even as it proselytizes for God."[6]
AllMusic wrote that "the group get back to their roots both musically and spiritually, delivering straightforward inspirational tunes with nothing but their truly remarkable voices."[1]