Originally, Jarre intended to call it 'Cousteau sur la plage (Cousteau on the beach)', but it was changed at the last moment. A promotional tape contained this title.[2]
The album was dedicated to Jacques-Yves Cousteau and was released on his 80th birthday 11 June 1990. AllMusic described the album as "groundbreaking stuff", due to its stylistic differences from his other albums.[1]
The album reached Number 14 in the UK charts.[3]
En attendant Cousteau is divided into two distinct stylistic halves: the first three pieces titled "Calypso" and the title track, an ambient piece which was used in the soundtrack of a 1991 documentary entitled "Palawan: Le dernier refuge" by Cousteau and Jarre. However two tracks from that documentary did not appear on the final album.[4]
The title track was also played at Jarre's exposition Concert d'images in Paris, 1989. According to a Jarre fan-magazine,[5] it was created via an app on an Atari Mega-ST,[6] on which Jarre programmed 16 starting notes. He apparently got the idea from the book Dirk Gently's Holistic Detective Agency by Douglas Adams. He denied it in a later interview, claiming all notes are actually played by hand, noting however that the track includes some time-stretched samples mixed into the background.[7][8]
^Conductor Of The Masses - Issue 5. UK: Conceptual Publishing. July 1991. p. 30.
^AMI (Algorithmic Musical Instrument) By Cadenza Software. However, likely the name should be ACT (Algorithmic Compositional Tool), which "generates random musical output, based on user-defined notes, which can be controlled in real time using a GEM interface or a MIDI source", as listed onhttps://www.ataritoday.com/extra/.
Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 168. ISBN978-951-1-21053-5.