Emma Wilson, FBA (born 1967) is a British academic and writer, specialising in French literature and cinema. She is Professor of French Literature and the Visual Arts at the University of Cambridge and a fellow of Corpus Christi College.[1]
Early life and education
Emma Wilson is the daughter of novelist Jacqueline Wilson and her former husband, William Millar Wilson, a police officer.[2] She was a scholarship student at Surbiton High School[3] and then studied French and Latin as an undergraduate at Cambridge. She then stayed on to do a PhD in the French department. Her thesis was entitled The pain of the pleasure of the text: Tournier, reading and sexuality.[4]
Academic career
Wilson then got a post as a university lecturer at Cambridge. She is a fellow of Corpus Christi College, Cambridge, and Professor of French Literature and the Visual Arts at the University of Cambridge.[5] She was previously Reader in Contemporary French Literature and Film and head of Cambridge's Department of French.[1]
In 2022, she was elected a Fellow of the British Academy (FBA), the United Kingdom's national academy for the humanities and social sciences.[6]
Research
As a researcher, Wilson is author of six books and over twenty articles published in scholarly journals in the field of modern languages and film. Her published work includes book studies of Alain Resnais and Krzysztof Kieslowski as well as specific work on writers such as Marcel Proust, Marguerite Duras, Hélène Cixous and Michel Tournier. As well as her contribution to these author fields, however, Wilson's writing has applications to critical theory. In her 1996 work, Sexuality and the Reading Encounter, Wilson makes a contribution to reader response theory in relation to feminism and queer theory. She argues for the potential for change in the reader's identity through reading. The encounter between reader and text, she says, depends "not on pre-constructed identities, but on the very performance of identity in the process of reading."[7] Wilson is particularly interested in the way that readers position themselves in relation to representations of desiring relations.[8]
Wilson's 2003 study of the cinematic treatment of missing children, Cinema's Missing Children, was described as "a book rich in academic and cultural backstory".[9]
Contribution to the dissemination of French culture
Memory and Survival: The French Cinema of Krzysztof Kieslowski (Oxford: Legenda, 2000)
French Cinema since 1950: Personal Histories (Duckworth, 1999) ISBN0-7156-2849-6
Sexuality and the Reading Encounter: Identity and Desire in Proust, Duras, Cixous and Tournier (Oxford: Oxford University Press, 1996) ISBN0-19-815885-8
(editor) Sexuality and Masquerade: The Dedalus Book of Sexual Ambiguity (Dedalus, 1996)
^Sexuality and the Reading Encounter: Identity and Desire in Proust, Duras, Cixous and Toumier (Oxford: Oxford University Press, 1996), p. 28.
^Adrian Stokes, 'Theories of Reading and Reception' in Kate McGowan (ed.) The Year's Work in Critical and Cultural Theory 96 (Blackwell Publishing, 1999) p. 105.
Kate Ince, Review of Sexuality and the Reading Encounter: Identity and Desire in Proust, Duras, Tournier and Cixous, The Modern Language Review Vol. 92, No. 3 (July 1997), pp. 741–742.
Michael Worton, Review of Sexuality and the Reading Encounter: Identity and Desire in Proust, Duras, Cixous and Toumier, French Studies 52, 1998; pp. 222–223.
Martha Noel Evans, Review of Sexuality and the Reading Encounter, Modern Philology 96 no.2 (1998), p. 284.
