Set in the 2060s, Thunderbirds follows the missions of International Rescue, a secret organisation that uses technologically-advanced rescue vehicles to save human life. The lead characters are ex-astronaut Jeff Tracy, founder of International Rescue, and his five adult sons, who pilot the organisation's primary vehicles: the Thunderbird machines.
International Rescue's work is repeatedly disrupted by master criminal The Hood. In "Edge of Impact", The Hood's efforts to sabotage military test flights cause an experimental fighter to crash into a television tower, trapping a pair of technicians inside. With an old friend of Jeff paying an unexpected visit to Tracy Island, International Rescue must covertly spring into action to save the two men before the tower collapses.
Plot
General Bron, a power-hungry warlord, tasks The Hood with destroying Red Arrow: a British-made experimental fighter plane and the only threat to Bron's military. Travelling to London Airport, The Hood sabotages a test flight of Red Arrow 1 by concealing a homing device in a hangar, causing the aircraft to veer out of control and crash. Blacking out before he can eject, the pilot is killed in the explosion. The disaster is attributed to unidentified design flaws and Colonel Casey, the head of development, is dismissed from the Red Arrow project. Bron orders The Hood to destroy the second prototype, Red Arrow 2, promising to reward him in gold.
Casey flies to Tracy Island to consult an old air force comrade: Jeff, who activates the "Operation Cover-Up" security measures to prevent Casey from discovering International Rescue. Judging the blueprints sound, Brains concludes that Red Arrow 1 must have been diverted from its original course. Predicting that more flights will be targeted, he designs a "diversion detector" to be installed on Red Arrow 2 to warn the pilot. As Red Arrow 2 takes off, The Hood attaches another homing device to a television tower operated by British Telecommunication. Red Arrow 2 is drawn off course, confirmed by Brains' detector, and although the pilot ejects, he is unable to stop the plane hitting the tower. The explosion fatally weakens the structure and traps two technicians, Jim and Stan, who are working in the control room at the top. The arrival of a storm makes helicopter pick-up impossible, so Jim and Stan radio International Rescue for help.
While Tin-Tin keeps Casey out of way – taking him scuba diving in search of a rare marine mammal – Jeff dispatches Scott, Virgil and Alan in Thunderbirds 1 and 2. Reaching the tower, the brothers use the Booster Mortar pod vehicle (a mobile cannon) to fire two Low Altitude Escape Harnesses (similar to jet packs) through the window of the control room. Putting on the devices, Jim and Stan lift off from the tower seconds before it collapses and land safely nearby. The Tracys discover the homing device and alert the authorities to the presence of a saboteur. The Hood is driving away in a van when he is pursued by police. Desperate to escape, he crashes a diversion, mistaking it for a police roadblock, and speeds off the end of a demolished bridge, plunging into the river below. Bron, furious that the sabotages have been exposed, berates the Hood over the van's radio.
The Thunderbirds return to base unseen by Casey, whom Tin-Tin has not yet brought back from diving. After coming ashore, Casey is delighted to learn that International Rescue have solved the mystery of the Red Arrow disasters and he has been reinstated as project leader. Still happily unaware of the Tracys' true identities, he thanks the family before departing in his jet plane.
"Edge of Impact" is the only episode featuring The Hood in which his schemes do not involve trying to uncover the technical secrets of the Thunderbird machines, or otherwise targeting International Rescue. Instead, his only aim is to destroy the Red Arrow project.[1] The miniature model representing The Hood's van previously appeared as reporter Ned Cook's news van in "Terror in New York City".[2]
Red Arrow was inspired by the North American X-15 and Lockheed NF-104A. The filming model, designed by effects assistant Mike Trim, incorporated parts from a Saab Draken model aircraft kit. Trim also designed the British Telecommunication TV tower.[3]
Tom Fox of Starburst magazine rates "Edge of Impact" three out of five, believing the Low Altitude Escape Harnesses to be the highlight of the episode.[5] Marcus Hearn sums up the story as a "disappointingly familiar routine of sabotaged test flights". He considers the Low Altitude Escape Harnesses an "innovative" but "incongruous" rescue solution, likening them to a "deus ex machina". Some of the episode's other hardware he describes as "frankly ridiculous" – noting, for example, that Tin-Tin is secretly updated on the progress of the rescue by flashing lights fitted to her diving mask.[6]
Sam Denham writes that the plot, involving experimental military aircraft and a TV tower, reflects the "burgeoning" technology of the 1960s – specifically, advancements in aerospace engineering and the decade's "growing dependence on telecommunications". He compares the TV tower to the real-life BT Tower which opened in October 1965, the same month the episode was first broadcast.[3] Marcus Hearn and Nicholas J. Cull compare the sabotage premise to Cold War fiction, Cull noting "Edge of Impact" as one of two episodes (the other being "Martian Invasion") that show The Hood in the employ of "militaristic foreign powers".[6][7] According to Hearn, the "Cold War-style tension" is at odds with most other episodes, which imply strong international cooperation and even world government.[6]
In her autobiography, Sylvia Anderson wrote that the episode casts Tin-Tin as a "sex object"; she commented elsewhere that the character is also objectified in "End of the Road" when her former boyfriend visits Tracy Island, sparking a romantic rivalry with Alan Tracy.[8] Jeff alludes to these events when Casey's jet comes in to land, the unannounced nature of the visit leading him to wonder whether the colonel's plane might be carrying "more of Tin-Tin's admirers".[2] According to Fran Pheasant-Kelly, an academic who has written about the series' depiction of gender and social class, this line of dialogue draws the audience's attention to Tin-Tin's "physical attractiveness" as a mostly peripheral female character, downplaying her ability to "contribute significantly to the narrative". Pheasant-Kelly also notes, however, that the subplot of Tin-Tin distracting Casey during the rescue shows that "does carry out certain crucial roles".[9]
^Pheasant-Kelly, Fran (2022). "Thunderbirds Are Go! Ideology and Representation in the Cold War Era". In Olson, Debbie; Schober, Adrian (eds.). Children, Youth, and International Television. Routledge Advances in Television Studies. Routledge. ISBN9781000541830.
