The novel is presented with both an omniscient narrator and a first-person narrative of Ronit Krushka,[2] a 32-year-old non-practising Orthodox Jew, who is working in New York as a financial analyst and having an affair with her married male boss. The death of her estranged father, a powerful rabbi, brings Ronit back to her childhood home in Hendon, London, where her provocative ways outrage the local Orthodox Jewish community. Discovering that her cousin Dovid, who is also her father's chosen successor, is married to her former lover, Esti, forces Ronit to rethink what she left behind.[1][5]
Development
Similar to her protagonist Ronit, Naomi Alderman grew up in the Orthodox Jewish community in Hendon before moving to New York, and the novel is about places Alderman is familiar with. However, Alderman has said that the novel is not based on events in her life.[6] According to Alderman, writing the novel led her to cease being a practising Jew.[7]
Reception
Critical response
The novel received mixed reviews.
According to The Telegraph's Lucy Beresford, "Despite some novelistic weaknesses, Alderman's commentary on Orthodox Judaism in the 21st century is thought-provoking and illuminating, and she has the comic's gift to assassinate from within with compassion."[5]The New York Times' Elsa Dixler enjoyed the "acerbic and self-aware" Ronit, and concluded that: "Although the novel’s plot is somewhat creaky and its climax seems contrived, the strength of this insular congregation is clearly conveyed."[8] The San Francisco Chronicle's Sara Peyton noted that: "at her best, Alderman provides a window into a world that appears at once strange and foreboding, revealing its human flaws as well as its spiritual beauty."[9]
On the other hand, the novel caused some controversy in the Orthodox Jewish community. The Jewish Chronicle gave the novel a scathing review,[6][10] while another Jewish paper refused to review it.[7] Writing for The Guardian, Dina Rabinovitch, herself an Orthodox Jew, gave the novel a poor review, commenting that "this feels like writing-by-numbers" and that "[n]one of the personalities here gets beyond the two-dimensional."[4]