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Dino Buzzati-Traverso (Italian pronunciation:[ˈdiːnobutˈtsaːti]; 14 October 1906 – 28 January 1972) was an Italian novelist, short story writer, painter and poet, as well as a journalist for Corriere della Sera. His worldwide fame is mostly due to his novel The Tartar Steppe, although he is also known for his well-received collections of short stories.
Life
Buzzati was born in San Pellegrino, Belluno, in his family's ancestral villa. Buzzati's mother, a veterinarian by profession, was Venetian and his father, a professor of international law, was from an old Bellunese family. Buzzati was the second of his parents' four children. One of his brothers was the well-known Italian geneticist Adriano Buzzati-Traverso. In 1924, he enrolled in the law faculty of the University of Milan, where his father once taught. As he was completing his studies in law, he was hired, at the age of 22, by the Milanese newspaper Corriere della Sera, where he would remain employed until his death. He began in the editorial department. Later he worked as a reporter, special correspondent, essayist, editor, and art critic. It is often said that his journalistic background informs his writing, lending even the most fantastic tales an aura of realism.
Buzzati himself commented on the connection (as cited by Lawrence Venuti):
It seems to me, fantasy should be as close as possible to journalism. The right word is not "banalizing", although in fact a little of this is involved. Rather, I mean that the effectiveness of a fantastic story will depend on its being told in the most simple and practical terms.[1]
During World War II, Buzzati served in Africa as a journalist attached to the Regia Marina. After the end of the war, Il deserto dei Tartari was published nationwide in Italy and quickly brought critical recognition and fame to the author. He married Almerina Antoniazzi in 1966. He published his last novel, Un amore, concerning love, in that year. In 1972, Buzzati died of cancer after a protracted illness.[2]
Works summary
Buzzati began writing fiction in 1933. His works of fiction include five novels, theatre and radio plays, librettos, numerous books of short stories, and poetry. His libretti include four for operas by Luciano Chailly, as well as one for La giacca dannata by Giulio Viozzi.
Also an artist, Buzzati combined his artistic and writing exploits into making a comic book based on the myth of Orpheus, Poem Strip. Commenting on the graphic element, he once explained that "for me, painting and writing are the same thing."[3]
His writing is sometimes cited as magical realism or social alienation. The fate of the environment and fantasy in the face of unbridled technological progress are recurring themes. He wrote a variety of short stories featuring fantastic animals such as the bogeyman and, his own invention, the colomber (il colombre). His Sessanta racconti collection of sixty stories, which won the Strega Prize in 1958, features elements of science fiction, fantasy, and horror.[5][6]
Il deserto dei Tartari (1940). The Tartar Steppe, trans. Stuart C. Hood (Secker & Warburg, 1952); also as The Stronghold, trans. Lawrence Venuti (New York Review Books, 2023)
Il grande ritratto (1960). Larger than Life, trans. Henry Reed (Secker & Warburg, 1962); also as The Singularity, trans. Anne Milano Appel (New York Review Books, 2024)
Un amore (1963). A Love Affair, trans. Joseph Green (Farrar Straus, 1964)[8]
^Restless Nights – Selected Stories of Dino Buzzati (Introduction by L. Venuti) (North Point Press, 1983)
^Dino Buzzati d'hier et d'aujourd'hui: à la mémoire de Nella Giannetto. Actes du colloque international, Besançon, Presses universitaires de Franche-Comté, 2008, p. 329.
^Emanuele Occhipinti, Novecento and the Contemporary Period (Narrative and Theatre). The Year's Work in Modern Language Studies, Vol. 78 (2018), pp. 314-323, at 318.
^Sem' Gontsov (Introduction by E. Ambartsumov) (Izvestiya Press, 1985)
Giuseppe Leone, "Dino Buzzati e le grandi 'costruzioni' letterarie – La fortezza di Bastiani non è Il castello di Kafka", Il Punto Stampa, Lecco, Italy, April 1997.
Luis Montiel (2010), “Una meditatio mortis contemporánea. La reflexión de Dino Buzzati sobre la caducidad de la vida humana”. Medicina e historia, 2/2010, 1–15.
In modern culture
In 2019, the Australian singer, songwriter, and guitarist from Last Dinosaurs Lachlan Caskey, known as Notes From Under Ground, referenced Buzzati on his solo album Partner by making his name one of the song titles.
