In 1955, a toy salesman and his wife turn a business trip into a brief vacation by planning to visit Disneyland, which has just opened. They stay at the Sunset Motel in Anaheim, California, where affairs and sexual crimes among the motel guests and staff quickly develop and cause trouble.
The film was originally almost made with Esai Morales and Craig Scheffer but financing fell through. Producer Donald Borchers then became involved. He offered to help the original producer finance if they co produced but they turned it down.[5]
The film was shot at a motel at Santa Monica. Donald Borchers said the film was gong to be released theatrically through Miramax but then Miramax got involved in a lawsuit with Media Home Entertainment. Borchers decided to open the film theatrically himself, using his fee for the movie for that purpose. He said the film opened the weekend of the Rodney King riots, which killed its chances of a successful theatrical release. He called the movie "a treasure of a picture. Alien Castle wrote one of the best black comedies you'd ever want to see. Sherilyn Fenn knocked it out of the park".[6]
Critical reception
The Los Angeles Times called it "a would be comic sexy thriller paced like a tipped bottle of ketchup, it keeps coming at you in waves."[7]
LA Weekly called it "an arch, visually dazzling and thoroughly enjoyable melange of lasciviousness and murder."[8]
A review for TV Guide stated the film "strives for a jokey, stylistically dense parody of 1950s potboilers, but fails completely. Castle, with clunky direction and a badly paced over-the-top screenplay containing dialogue dipped in a curious amalgam of Somerset Maugham and James Elroy ('They say radioactive things have a half life as they decay. I think I'm radioactive'), is seemingly unable to muster enough energy or inspiration to take advantage of Jamie Thompson's impressively evocative cinematography."[2] In his review for Empire, William Thomas wrote, "Twin Peaks' Audrey Horne (Sherilyn Fenn) is the provocative heart of this strange, shambling and daft dialogue-heavy black comedy, which tries very hard, but doesn’t quite hit the mark."[1]
