The aftereffects of psychological damage on people in a country emerging from a totalitarian dictatorship.
Genre
Drama
Setting
Present day; a beach house in Chile
Death and the Maiden is a 1990 play by Chilean playwright Ariel Dorfman. The world premiere was staged at the Royal Court Theatre in London on 9 July 1991, directed by Lindsay Posner. It had one reading and one workshop production prior to its world premiere.
Characters
Paulina Salas — thirty-eight years old
Gerardo Escobar — her husband, a lawyer, around forty-five
Roberto Miranda — a doctor, around fifty
The setting is in the present time, in a country that is likely Chile but could be any nation that has recently transitioned from a long period of dictatorship to a democratic government.
Synopsis
Paulina Salas is a former political prisoner from an unnamed Latin American country who was raped by her captors, including a sadistic doctor whose face she never saw. The doctor played Schubert's String Quartet No. 14, subtitled Death and the Maiden, during the act of rape, which gives the play its title.
Years later, after the repressive regime has fallen, Paulina lives in an isolated country house with her husband, Gerardo Escobar. When Gerardo returns home from a visit to the president, he gets a flat tire and is helped by a stranger named Dr. Miranda. Later that night, Dr. Miranda returns and Paulina recognizes his voice and mannerism as that of her rapist. She takes him captive in order to put him on trial and extract a confession from him.
Gerardo acts as Dr. Miranda's lawyer and attempts to save his life, but after hearing the full story of Paulina's captivity, he formulates a confession with Dr. Miranda based on the specific details Paulina shared with him. Paulina records the entire confession and has Dr. Miranda sign it. She then sends Gerardo to get Dr. Miranda's car so he can go home. While they are alone for the last time, Paulina accuses Dr. Miranda of being unrepentant and guilty beyond a reasonable doubt. She shares that she purposely altered small details of her story when sharing it with Gerardo, and Dr. Miranda corrected those details in his own confession. Although Dr. Miranda denies this, Paulina is completely convinced of his guilt and prepares to execute him.
The play then skips forward in time, and the audience sees Paulina and Gerardo attending a concert. It is never revealed whether Paulina ultimately killed Dr. Miranda. As the concert orchestra begins to play Schubert's Death and the Maiden, Paulina sees Dr. Miranda across the room cast in a "phantasmagoric" light, and the audience is left to wonder whether he is truly there or only in Paulina's mind.
The Indian premiere of Death and the Maiden (in Hindi translation by Shalini Vatsa) opened at the India Habitat Centre New Delhi on 17 February 2002, produced by Asmita Theatre.
In 2015, Death and the Maiden was staged as a co-production between the Melbourne Theatre Company (18 July-22 August) and the Sydney Theatre Company (2 September-17 October). Susie Porter played Paulina with Eugene Gilfedder as the man whose voice might be his undoing.
On 22 March 2024, Death and the Maiden was staged at the Uganda National Cultural Centre (Uganda National Theatre). It was the first theatrical production by Railroad Pictures, a company that had long been invested mainly in film.[1]
An opera based on the play has been composed by Jonas Forssell [sv] with the libretto by Ariel Dorfman. The world premiere was staged at the Malmö Opera on 20 September 2008.