Daniel Fuchs

For the German artist, see Daniel and Geo Fuchs.

Daniel Fuchs (June 25, 1909 – July 26, 1993) was an American screenwriter, fiction writer, and essayist.[1]

Biography

Daniel Fuchs was born to a Jewish family[2] on the Lower East Side, Manhattan, but his family moved to Williamsburg, Brooklyn while Fuchs was an infant. He wrote three early novels, published by the Vanguard Press — Summer in Williamsburg (1934), Homage to Blenholt (1936), and Low Company (1937). The earlier two of these depicted Jewish life in Williamsburg; the last focused on various ethnic types in Brighton Beach. A single-volume edition of these was published by Basic Books in 1965 under the title "Three Novels."[3] Subsequent one-volume editions include The Brooklyn Novels,[4] with an introduction by the novelist Jonathan Lethem, published in 2006 by Black Sparrow Books, an imprint of David R. Godine, Publisher.

Homage to Blenholt concerns a well-meaning tenement schlemiel who hopes to escape poverty via various inventions and get-rich quick schemes. Fuchs also wrote short stories and personal essays, mainly for The New Yorker. When he was 26, he moved to Los Angeles, California to work on films.

Fuchs wrote the screenplay for the crime noir Criss Cross (1949). He also penned the psychodrama Panic in the Streets (1950), which was directed by Elia Kazan. In 1995, Criss Cross was remade as The Underneath by director Steven Soderbergh, with credit given to Fuchs. Love Me or Leave Me, a biopic about the torch singer Ruth Etting, which won Fuchs an Oscar for Best Story in 1955, featured a performance by James Cagney in the role of a Chicago hoodlum and Doris Day as the beleaguered songstress.

Fuchs' Hollywood novel, West of the Rockies, was published in 1971, and in 1979 appeared a collection of mostly earlier-written short stories, "The Apathetic Bookie Joint." The Golden West: Hollywood Stories, a collection of Fuchs's fiction and essays about Hollywood, was published in 2005 by Black Sparrow Books.

Fuchs died in Los Angeles.

Critique

Irving Howe wrote of Fuchs for Commentary Magazine in 1948 that "he showed such a rich gift for fictional portraiture of Jewish life in the American city that, given sustained work and growth of mind, he might have written its still-uncreated comedie humaine. After reading Fuchs' work one wonders: What was the source of his talent and the cause of his silence, and, perhaps more important, what was the relationship between his talent and his silence?"[5]

John Updike said, "Nobody else writes like Daniel Fuchs. I think of him as a natural—a poet who never had to strain after a poetic effect, a magician who made magic look almost too easy."[6]

Works

Novels

Fuchs published with the Viking Press via the Maxim Lieber Literary Agency; Elizabeth Nowell (who later became Thomas Wolfe's exclusive agent) handled him.[7]

  • Summer in Williamsburg (1934)
  • Homage to Blenholt (1936)
  • Low Company (1937)
  • Three Novels (1965): omnibus of earlier novels
  • West of the Rockies (1971)

Collections

Scripts

Short fiction

Title Publication Collected in
"Where Al Capone Grew Up" The New Republic (September 9, 1931) -
"The Village by the Sea" Opinion (April 11, 1932) -
"Pioneers! O Pioneers!" Story (December 1933) -
"Dream City, or The Drugged Lake" Cinema Arts (Sumer 1937) The Golden West: Hollywood Stories
"My Sister Who Is Famous" Collier's (September 4, 1937) -
"Crap Game" The New Yorker (December 25, 1937) -
"The Amazing Mystery at Storick, Dorschi, Pflaumer, Inc." Scribner's Magazine (February 1938) The Apathetic Bookie Joint
"Last Fall" The Saturday Evening Post (March 5, 1938) -
"Such a Nice Spring Day" Collier's (April 23, 1938) -
"Shun All Care" Harper's Bazaar (May 1938) -
"A Hollywood Diary" The New Yorker (August 6, 1938) The Apathetic Bookie Joint
"The Apathetic Bookie Joint" The New Yorker (August 20, 1938)
"Getaway Day" Collier's (September 10, 1938) -
"People on a Planet" The New Yorker (September 24, 1938) The Apathetic Bookie Joint
"Lucky Loser" Collier's (October 15, 1938) -
"Kinds of Laughter"
aka "A Matter of Pride"		 Collier's (October 22, 1938) The Apathetic Bookie Joint
"Life Sentence" Collier's (November 19, 1938) -
"Give Hollywood a Chance" Esquire (December 1938) -
"Fortune and Men's Eyes" The Saturday Evening Post (December 10, 1938) -
"A Girl Like Cele" Redbook (April 1939) -
"The Woman in Buffalo" Esquire (April 1939) -
"The Man from Mars" The New Yorker (April 8, 1939) The Apathetic Bookie Joint
"If a Man Answers, Hang Up" Collier's (April 22, 1939) -
"Crazy Over Pigeons" Collier's (April 29, 1939) -
"Not to the Swift" Collier's (May 13, 1939) -
"Florida"
aka "Toilers of the Screen"		 Collier's (July 8, 1939) The Golden West: Hollywood Stories
"The Hosiery Shop" Harper's Bazaar (September 1939) The Apathetic Bookie Joint
"Love in Brooklyn" The New Yorker (September 2, 1939)
"The Politician" The New Republic (October 11, 1939) -
"All or Nothing" Collier's (October 14, 1939) -
"The Morose Policeman" The New Yorker (October 14, 1939) The Apathetic Bookie Joint
"No Regrets" This Week (January 21, 1940) -
"A Mink Coat Each Morning" Collier's (January 27, 1940) -
"There's Always Honolulu" This Week (January 21, 1940) The Apathetic Bookie Joint
"Pug in an Opera Hat" Collier's (March 23, 1940) -
"The First Smell of Spring, and Brooklyn" Mademoiselle (April 1940) The Apathetic Bookie Joint
"Daring Young Man" Collier's (August 24, 1940) -
"All the Tricks" Collier's (September 14, 1940) -
"The Sun Goes Down" The New Yorker (September 14, 1940) The Apathetic Bookie Joint
"Racing Is a Business" Collier's (October 5, 1940) -
"The Language of Love" The New Yorker (December 14, 1940) The Apathetic Bookie Joint
"The Fabulous Rubio" Collier's (January 4, 1941) -
"Strange Things Happen in Brooklyn" Collier's (February 1, 1941) -
"Loew's Kings, the Chink's, and a Ride Home" The New Yorker (April 5, 1941) The Apathetic Bookie Joint
"Okay, Mr. Pappendas, Okay" The Southern Review (Spring 1942)
"A Clean, Quiet House" The New Yorker (May 30, 1942)
"The Long Green" Cosmopolitan (February 1951) -
"Man in the Middle of the Ocean" The New Yorker (July 11, 1953) Stories
"Ecossaise, Berceuse, Polonaise" The New Yorker (August 1, 1953) The Apathetic Bookie Joint
"Twilight in Southern California" The New Yorker (October 3, 1953) Stories
"The Golden West" The New Yorker (July 10, 1954)
"Ivanov's 'The Adventures of a Fakir'" Commentary (June 1975) The Apathetic Bookie Joint
"Triplicate" The Apathetic Bookie Joint (1979)

Awards

References

  1. ^ Chametzky, Jules; Felstiner, John; Flanzbaum, Hilene; Hellerstein, Kathryn (2001). Jewish American Literature: A Norton Anthology. W.W. Norton & Company. pp. 501. ISBN 9780393048094.
  2. ^ Cones, John (April 2015). Motion Picture Biographies: The Hollywood Spin on Historical Figures. p. 60. ISBN 9781628941166.
  3. ^ Fuchs, Daniel (1961). Three Novels: Summer in Williamsburg, Homage to Blenholt [and] Low Company. Basic Books. LCCN 61013511.
  4. ^ Fuchs, Daniel (2006). The Brooklyn Novels. ISBN 9781574232103. LCCN 2006023170.
  5. ^ "The fate of Talent In America" Commentary Magazine
  6. ^ (New Yorker Magazine, 1971; cf. Updikes', 'Picked-Up Pieces', 1975)
  7. ^ Kennedy, Richard S., ed. (1983). Beyond love and loyalty: the letters of Thomas Wolfe and Elizabeth Nowell. University of North Carolina Press Books. pp. xii. ISBN 978-0807815458.
  8. ^ "Past Winners". Jewish Book Council. Retrieved January 19, 2020.

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