Eugene Archer of The New York Times reviewed the film: "Judging strictly by the title, Cyrano and D'Artagnan does not sound a bit more promising than Samson Meets Hercules. Strange to say, despite the auspices of the New York Film Festival and the reputation of the 75-year-old director, Abel Gance, there is really not much difference between the Cyrano epic and the kind of dubbed Italian spectacle usually inflicted on us by Joseph E. Levine." The critic continued: "José Ferrer, repeating his Oscar-winning Cyrano role 14 years later, gives a flat and clumsy performance, while Jean-Pierre Cassel's D'Artagnan is swaggering and singularly lacking in charm. ... Let it be said for the director, known mainly for a silent triple-screen Napoleon in the nineteen-twenties, that he displays a nice eye for color. Otherwise, his handling of a routine commercial assignment is just that—routine."[3]
