Coventry Patmore

Coventry Patmore
Portrait of Coventry Patmore, by John Singer Sargent, 1894.
Portrait of Coventry Patmore, by John Singer Sargent, 1894.
BornCoventry Kersey Dighton Patmore
(1823-07-23)23 July 1823
Essex, England
Died26 November 1896(1896-11-26) (aged 73)
Lymington, England
OccupationPoet and critic
Signature

Coventry Kersey Dighton Patmore (23 July 1823 – 26 November 1896) was an English poet[1] and literary critic. He is best known for his book of poetry The Angel in the House, a narrative poem about the Victorian ideal of a happy marriage. As a young man, Patmore worked for the British Museum in London. After the publication of his first book of poems in 1844, he became acquainted with members of the Pre-Raphaelite Brotherhood. After the death of his first wife, Emily Augusta Patmore in 1862, his grief over her death became a major theme in his poetry.

Early life

The eldest son of author Peter George Patmore, Coventry Patmore was born at Woodford in Essex[2] and was privately educated. The boy was very close to his father Peter and showed an early interest in literature. Coventry Patmore's first goal was to become an artist; he earned the silver palette of the Society of Arts in 1838. In 1839, his family sent Patmore to school in France for six months,[3] where he began to write poetry. On his return to England, Peter Patmore planned to publish some of his son's youthful poems; however, Coventry Patmore had become interested in science, and set aside writing poetry.

Drawing of Coventry Patmore, by John Brett, 1855.

In 1846, with help from Richard Monckton Milnes, Coventry Patmore was appointed as the printed book supernumary assistant at the British Museum. He would hold this position for the next 19 years, while devoting his spare time to writing poetry. In 1847, Patmore married Emily Augusta Andrews,[2] the daughter of Dr. Andrews of Camberwell. By 1851, the couple had two sons: Coventry (born 1848) and Tennyson (born 1850). Three daughters followed – Emily Honoria (born 1853), Bertha (born 1855) and Gertrude (born 1857), before their last child, a son (Henry John), was born in 1860. Emily Augusta Patmore wrote under the pseudonym of Mrs Motherly. In 1859, she published The Servant's Behaviour Book, or, Hints on Manners and Dress for Maid Servants in Small Households, a conduct book for women in domestic service, written in a clear, practical manner. Nursery Poetry (1859) features lively verses on household matters, while Nursery Tales (1860) is improving and moralistic in tone. She is also considered to have had a significant role in the creation of The Children's Garland (1862), her husband's anthology of poems.[4][3]

Inspired by the literary success of Alfred Tennyson, Patmore devoted more energy to his writing. In 1844, he published a small volume of Poems, which had limited commercial success. However, Patmore was more upset by a harsh review of his work in Blackwood's Magazine. Discouraged, Patmore bought up the remainder of the edition and destroyed it. His friends encouraged him to keep writing and gave him valuable feedback. Furthermore, the publication of Poems enabled him to network with other literary figures, including Dante Gabriel Rossetti. Rossetti introduced Patmore to William Holman Hunt, who brought Patmore into the Pre-Raphaelite Brotherhood, contributing his poem "The Seasons" to The Germ.

During his time at the British Museum, Patmore was instrumental in starting the Volunteer Movement in 1852. He wrote an important letter to The Times on the subject, and stirred up much enthusiasm among his colleagues. He also introduced academic David Masson to Emily Rosaline Orme, his wife Emily's niece, both of whom were strong supporters for women's suffrage and rights.[5]

Major publications

Patmore's wife Emily, the model for the Angel in the House, portrait by John Everett Millais.
Patmore's home at 85 Fortis Green, 1858–60.

In 1853, Patmore republished Tamerton Church Tower, the more successful of his pieces from Poems of 1844. He also added several new poems that showed more sophistication in conception and treatment. In 1854, Patmore published the first part of his best-known poem, The Angel in the House.[6][7][8] The Angel in the House is a long narrative and lyric poem, with four parts published between 1854 and 1862:

  • The Betrothed (1854)
  • The Espousals (1856), which eulogise his first wife;
  • Faithful for Ever (1860)
  • The Victories of Love (1862)

Patmore published the four works together in 1863. The works have come to symbolise the Victorian feminine ideal[9] – which was not necessarily the ideal amongst feminists of the period.[10]

By 1861 Patmore and his family was living in Elm Cottage, North End, Hampstead. On 5 July 1862 Emily Patmore died after a long illness, and shortly afterwards Patmore joined the Roman Catholic Church.[11]

In 1864 Patmore married Marianne Byles, daughter of James Byles of Bowden Hall, Gloucester. Patmore Buxted Hall in Surrey in 1865, which he described in How I managed my Estate (1886). In 1877 Patmore published The Unknown Eros,[12] which some commentators believe contains his finest poetic work,[13] and in 1878 Amelia, his own favourite among his poems, together with an essay on English Metrical Law. This departure into criticism continued in 1879 with a volume of papers entitled Principle in Art, and again in 1893 with Religio Poetae.

Patmore's second wife Marianne died in 1880, and in 1881 he married Harriet Robson[2] from Bletchingley in Surrey (born 1840), his children's governess. Their son Francis was born in 1882. Patmore also had a deep friendship with the poet Alice Meynell, lasting several years. He ultimately fell in love with her, forcing Meynell to end their relationship.[14]

In later years Patmore lived at Lymington, where he died in 1896.[15] He was buried in Lymington churchyard.[16]

Evaluation

A collected edition of Patmore's poems appeared in two volumes in 1886, with a characteristic preface which might serve as the author's epitaph. "I have written little", it runs; "but it is all my best; I have never spoken when I had nothing to say, nor spared time or labour to make my words true. I have respected posterity; and should there be a posterity which cares for letters, I dare to hope that it will respect me." The sincerity which underlies this statement, combined with a certain lack of humour which peers through its naïveté, points to two of the principal characteristics of Patmore's earlier poetry; characteristics which came to be almost unconsciously merged and harmonized as his style and his intention drew together into unity.

"Spring Cottage, Hamstead, 1860." Caricature by Max Beerbohm.

As happy love had been his earlier, the grief of loss became, in great measure, his later theme; touching and sublime thoughts upon love, death, and immortality are conveyed through strikingly poetic imagery and unusual form in the odes of The Unknown Eros, his best work. The collection is full not only of passages but entire poems in which exalted thought is expressed in poetry of the richest and most dignified melody.[2] Spirituality informs his inspiration; the poetry is glowing and alive. The magnificent piece in praise of winter, the solemn and beautiful cadences of "Departure", and the homely but elevated pathos of "The Toys", are in their manner unsurpassed in English poetry. His somewhat reactionary political opinions, which also find expression in his odes, find less praise today although they can certainly be said to reflect, as do his essays, a serious and very active mind. Patmore is today one of the least-known but best-regarded Victorian poets.

His son Henry John Patmore (1860–1883) also became a poet.

Works

Articles

References and sources

References

  1. ^ "Coventry Patmore, the Poet of Love", The Literary Digest, 27 February 1897.
  2. ^ a b c d Meynell, Alice. "Coventry Patmore." The Catholic Encyclopedia Vol. 11. New York: Robert Appleton Company, 1911. 4 June 2019Public Domain This article incorporates text from this source, which is in the public domain.
  3. ^ a b "Coventry Patmore". The Poetry Foundation. Retrieved 18 August 2024.
  4. ^ "Patmore, Coventry Kersey Deighton (1823–1896), poet and essayist". Oxford Dictionary of National Biography (online ed.). Oxford University Press. 2004. doi:10.1093/ref:odnb/21550. Retrieved 18 August 2024. (Subscription or UK public library membership required.)
  5. ^ Crawford, Elizabeth. (1999). The women's suffrage movement : a reference guide, 1866-1928. London: UCL Press. ISBN 0-203-03109-1. OCLC 53836882.
  6. ^ "Mr. Coventry Patmore's Poems," The National Review, Vol. VI, January/April 1858.
  7. ^ McSweeney, Kerry (2000). "The Angel in the House", Victorian Poetry, Vol. 38, Number 2, Summer.
  8. ^ Hartnell, Elaine (1996). "'Nothing but Sweet and Womanly': A Hagiography of Patmore's Angel", Victorian Poetry, Vol. 34, No. 4, Coventry Patmore: 1823–1896. In Memoriam.
  9. ^ Gosse, Edmund (1897). "The History of a Poem", The North American Review, Vol. 164, No. 484.
  10. ^ Freiwald, Bina (1988). "Of Selfsame Desire: Patmore's The Angel in the House", Texas Studies in Literature and Language, Vol. 30, No. 4.
  11. ^ "Advertising". South Australian Register (1839–1900). Adelaide. 13 September 1862. p. 2. Retrieved 28 September 2012 – via National Library of Australia.
  12. ^ Page, Frederick (1917). "Coventry Patmore's 'Unknown Eros'", The Catholic World, Vol. CV, April/September.
  13. ^ See Vesica piscis.
  14. ^ Badeni 1981, pp. 115–129.
  15. ^ "Coventry Patmore Dead," The Catholic World, Vol. LXIV, October 1896/March 1897.
  16. ^ Kerrigan, Michael (1998). Who Lies Where – A guide to famous graves. London: Fourth Estate. p. 74. ISBN 1-85702-258-0.

Sources

Further reading

  • Betham-Edwards, Matilda (1911). "Coventry Patmore." In: Friendly Faces of Three Nationalities. London: Chapman & Hall, pp. 73–85.
  • Bréguy, Katherine (1909–10). "Coventry Patmore," Part II, The Catholic World, Vols. XC/XCI, pp. 796–806, 14–27.
  • Brooks, Michael (1979). "John Ruskin, Coventry Patmore, and the Nature of Gothic", Victorian Periodicals Review, Vol. XII, No. 4, pp. 130–140.
  • Burdett, Osbert (1919), "Coventry Patmore", The Dublin Review: 245–260.
  • ——— (1921), The Idea of Coventry Patmore, London: Oxford University Press.
  • Cadbury, William (1966). "The Structure of Feeling in a Poem by Patmore: Meter, Phonology, Form", Victorian Poetry, Vol. IV, No. 4, pp. 237–251.
  • Champneys, Basil (1900). Memoirs and Correspondence of Coventry Patmore, Vol. II. London: George Bell & Sons.
  • Crook, J. Mordaunt (1996). "Coventry Patmore and the Aesthetics of Architecture", Victorian Poetry, Vol. XXXIV, No. 4, pp. 519–543.
  • Dunn, John J. (1969). "Love and Eroticism: Coventry Patmore's Mystical Imagery", Victorian Poetry, Vol. VII, No. 3, pp. 203–219.
  • Edmond, Rod (1981). "Death Sequences: Patmore, Hardy, and the New Domestic Elegy", Victorian Poetry, Vol. XIX, No. 2, pp. 151–165.
  • Egan, Maurice Francis (1899). "The Ode Structure of Coventry Patmore." In: Studies in Literature. St. Louis, Missouri.: B. Herder, pp. 82–108.
  • Fisher, Benjamin F. (1996). "The Supernatural in Patmore's Poetry", Victorian Poetry, Vol. XXXIV, No. 4, pp. 544–557.
  • Fontana, Ernest (2003). "Patmore, Pascal, and Astronomy", Victorian Poetry, Vol. XLI, No. 2, pp. 277–286.
  • Forman, H. Buxton (1871). "Coventry Patmore." In: Our Living Poets: An Essay in Criticism. London: Tinsley Brothers, pp. 257–271.
  • Freeman, John (1917), "Coventry Patmore and Francis Thompson", The Moderns: Essays in Literary Criticism, Thomas Y. Crowell Co.
  • ——— (1923), "Coventry Patmore", The North American Review, 218 (813).
  • Garnett, Richard (1897), "Recollections of Coventry Patmore", The Living Age, XIII.
  • ——— (1905), "Mr. Gosse on Coventry Patmore", The Bookman, XXVIII (163).
  • Gelpi, Barbara Charlesworth (1996). "King Cophetua and Coventry Patmore", Victorian Poetry, Vol. 34, No. 4, Coventry Patmore: 1823–1896. In Memoriam.
  • Gosse, Edmund (1897), "Coventry Patmore: A Portrait", The Living Age, XIII.
  • ——— (1905), Coventry Patmore, Literary lives; ed. By W.R. Nicoll, Charles Scribner's Sons, hdl:2027/uc1.b4678523.
  • Gwynn, Aubrey (1924). "A Daughter of Coventry Patmore", Studies: An Irish Quarterly Review, Vol. XIII, No. 51, pp. 443–456.
  • Harris, Frank (1920). "Coventry Patmore." In: Contemporary Portraits. New York: Published by the author, pp. 191–210.
  • Hind, C. Lewis (1922). "Coventry Patmore." In: More Authors and I. London: John Lane the Bodley Head, pp. 240–246.
  • Johnson, Lionel (1911). "Coventry Patmore's Genius." In: Post Liminium: Essays and Critical Papers. London: Elkin Mathews, pp. 238–245.
  • Latham, David (2012). "Coventry Patmore's Fine Line," The Journal of Pre-Raphaelite Studies, Vol. XXI, pp. 5–13.
  • Leslie, Shane (1932). "Coventry Patmore." In: Studies in Sublime Failure. London: Ernest Benn, pp. 113–178.
  • Lubbock, Percy (1908). "Coventry Patmore," Quarterly Review, Vol. CCVIII, pp. 356–376.
  • Maynard, John (1996). "The Unknown Patmore", Victorian Poetry, Vol. XXXIV, No. 4, pp. 443–455.
  • Meynell, Alice (1908). "Mr. Coventry Patmore's Odes." In: The Rhythm of Life and Other Essays. London: John Lane, the Bodley Head, pp. 89–96.
  • Meynell, Alice (1922). "Coventry Patmore." In The Second Person Singular. London: Oxford University Press, pp. 94–109.
  • O'Keefee, Henry E. (1920). "Coventry Patmore." In: Though and Memories. New York: The Paulist Press, pp. 30–54.
  • Oliver, Edward James (1956). Coventry Patmore. New York: Sheed & Ward.
  • Page, Frederick (1921), "Coventry Patmore: Points of View", The Catholic World, CXIII (678).
  • ——— (1933), Patmore: A Study in Poetry, Oxford University Press.
  • Patmore, Derek (1949). The Life and Times of Coventry Patmore. London: Constable.
  • Pearce, Brian Louis (1996). "Coventry Patmore (1823–1896)", RSA Journal, Vol. CXLIV, No. 5467, pp. 69–71.
  • Pierson, Robert M. (1996). "Coventry Patmore's Ideas Concerning English Prosody and "The Unknown Eros" Read Accordingly", Victorian Poetry, Vol. XXXIV, No. 4, pp. 493–518.
  • Roberts, Gerald (2012). "Hopkins and Patmore: Tory Politics and Poetry", History Today, Vol. LXII, No. 1, pp. 30–36.
  • Reid, John Cowie (1957). The Mind and Art of Coventry Patmore London: Routledge & Paul.
  • Roth, Sister Mary Augustine (1961), Coventry Patmore's "Essay on English Metrical Law (PDF), The Catholic University of America Press.
  • Russell, Matthew (1877). "Coventry Patmore," The Irish Monthly, Vol. V, pp. 529–537.
  • Symons, Arthur (1920). "Coventry Patmore," The North American Review, Vol. CCXI, No. 771, pp. 266–272.
  • Tovey, Duncan (1897). "Coventry Patmore." In: Reviews and Essays in English Literature. London: George Bell & Sons, pp. 156–168.
  • Weinig, Mary Anthony (1981). Coventry Patmore. Boston: Twayne Publishers.
  • Woodworth, Elizabeth (2006). "Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics", Victorian Poetry, Vol. XLIV, No. 4, pp. 543–560.
  • Vere, Audrey de (1889). "Coventry Patmore's Poetry." In: Essays, Chiefly Literary and Ethical. London: Macmillan & Co., pp. 126–150

Read other articles:

Diagrama de la estelación del dodecaedro regular, con el pentágono central resaltado. Este diagrama representa la propia cara del dodecaedro En geometría, un diagrama de estelación o patrón de estelación es un esquema bidimensional de una cara de un poliedro,[1]​ formado por segmentos rectilíneos que representan las aristas en las que una cara determinada se interseca con las otras. Las líneas hacen que el espacio 2D se divida en regiones. Las regiones que no se cruzan con otras l

 

 

1985 في الولايات المتحدةمعلومات عامةالسنة 1985 1984 في الولايات المتحدة 1986 في الولايات المتحدة تعديل - تعديل مصدري - تعديل ويكي بيانات سنوات 1983 1984 1985 1986 1987 علم الولايات المتحدة العلم المرصع بالنجوم: 15 نجمة، 15 خط (1795–1818)50 نجمة (1960–الحاضر) الجدول الزمني لتاريخ الولايات المتحدة تاري...

 

 

Live album by John CampbellJohn Campbell at MaybeckLive album by John CampbellRecordedMay 1993VenueMaybeck Recital Hall, Berkeley, CaliforniaGenreJazzLabelConcord John Campbell at Maybeck: Maybeck Recital Hall Series Volume 29 is an album of solo performances by jazz pianist John Campbell. Music and recording The album was recorded at the Maybeck Recital Hall in Berkeley, California[1] in May 1993.[2] The eight tracks are performances of standards.[3] Release a...

Reigate Tunnel from the north 51°14′18.632″N 0°12′20.750″W / 51.23850889°N 0.20576389°W / 51.23850889; -0.20576389 Reigate Tunnel is a former road tunnel in Reigate, Surrey, England.[1][2][3] It runs under the hill that was once the site of Reigate Castle and was built during 1823, although some sources report that it only opened in 1824.[4] The narrow and short tunnel formerly carried the A217 road,[5][6] and...

 

 

Realms of FantasyCategoriesFantasy fiction magazineFrequencyBi-MonthlyFirst issueOctober 1994 (1994-October)Final issueOctober 2011CountryUSALanguageEnglishWebsitewww.rofmag.comISSN1078-1951 Realms of Fantasy was a professional [1] bimonthly fantasy speculative fiction magazine published by Sovereign Media, then Tir Na Nog Press, and Damnation Books, which specialized in fantasy fiction (including some horror), related nonfiction (with particular interest in folklore) and ar...

 

 

For the animation studio in Mexico City, Mexico, see Ánima (company). For the animation studio in Czech, see Anima sro. ANIMAFormerlyGlobe Studios (2016–2022)TypeDivisionIndustryFilm, podcast and television productionFounded2016HeadquartersBonifacio Global City, Taguig, PhilippinesKey peopleQuark HenaresParentKroma Entertainment(Globe Telecom Group Retirement Fund)Websiteanima.ph Anima (stylized in uppercase), formerly known as Globe Studios, is a Filipino entertainment production company....

Monument in London, England Temple Bar in 2012, with the Temple Bar Memorial in the centre Temple Bar was the principal ceremonial entrance to the City of London from the City of Westminster. In the middle ages, London expanded city jurisdiction beyond its walls to gates, called ‘bars’, which were erected across thoroughfares. To the west of the City of London, the bar was located adjacent to the area known as the Temple. Temple Bar was situated on the historic royal ceremonial route from...

 

 

Indonesian fried tofu The topic of this article may not meet Wikipedia's general notability guideline. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted.Find sources: Tahu gejrot – news · newspapers · books · scholar · J...

 

 

German professor of sociology and author (1931–2023) Maria MiesBorn(1931-02-06)6 February 1931Hillesheim, Rhine Province, Prussia, GermanyDied15 May 2023(2023-05-15) (aged 92)EducationUniversity of Cologne (PhD)OccupationsProfessor of sociologyWriterEmployer(s)Goethe Institute (1963–1967) Cologne University of Applied Sciences (1972–1974; 1981–1993) University of Frankfurt Institute for Social Research (1974–1977) International Institute of Social Studies (1979–1981)Organisat...

Government of Somaliland This article is about the collective executive of Somaliland. For the entire governing system of Somaliland, see Politics of Somaliland. Not to be confused with Government of Somalia. Government of SomalilandDowladda SomalilandGovernment logoFormation18 May 1991; 32 years ago (1991-05-18)Founding documentSomaliland ConstitutionJurisdictionRepublic of SomalilandWebsitewww.govsomaliland.orgLegislative branchLegislatureParliamentMeeting placeParliament ...

 

 

Уильям Сеймур, 2-й герцог Сомерсет Портрет Уильяма Сеймура, атрибутируемый Гилберту Джексону[en] 2-й граф Хартфорд 6 апреля 1621 года — 24 октября 1660 года Предшественник Эдвард Сеймур, 1-й граф Хартфорд Преемник Уильям Сеймур, 3-й герцог Сомерсет 1-й маркиз Хартфорд 3 июня 1641 го...

 

 

Державна прикордонна служба України УкраїнаНомінал 10 гривеньМаса 12,4 гДіаметр 30 ммГурт рифленийМетал сплав на основі цинкуРоки карбування 2020Аверс Реверс У Вікіпедії є статті про інші значення цього терміна: Державна прикордонна служба України. «Держа́вна прик...

1997 Dutch filmCharacterFilm posterDirected byMike van DiemWritten byMike van DiemBased onKarakterby Ferdinand BordewijkProduced byLaurens GeelsStarring Jan Decleir Fedja van Huêt Betty Schuurman Tamar van den Dop Victor Löw Hans Kesting CinematographyRogier StoffersEdited byJessica de KoningMusic byPaleis van BoemRelease date 17 April 1997 (1997-04-17) Running time122 minutesCountriesNetherlandsBelgiumLanguageDutchBudget$4.5 millionBox office$713,413 Character (Dutch: Karakt...

 

 

Mother and daughter fictional superheroines Comics character Silk SpectreLaurie Juspeczyk as the Silk Spectre.Art by Dave Gibbons.Publication informationPublisherDC ComicsFirst appearanceWatchmen #1 (September 1986)Created byAlan MooreDave GibbonsIn-story informationAlter egoSally Jupiter (I)Laurie Juspeczyk (II)Team affiliationsMinutemen (I)The Crimebusters (II)Notable aliases(Laurie) Sandra Hollis Laurie Jupiter Laurie Blake The Comedienne[1] Silk Spectre is the name of two fictiona...

 

 

Television company in Australia For the streaming unit of NBC Sports under the same name, see NBC Sports Group. Curio PicturesTypeSubsidiaryIndustryTelevisionGenreTelevision productionFounded2009Founders David Taylor David Maher HeadquartersSydney, AustraliaArea servedAustraliaServicesTelevision program productionParentSony Pictures TelevisionWebsitewww.curiopictures.com.au Curio Pictures (formerly known as Playmaker Media) is an Australian-based television production company, which develops ...

British professor of design A major contributor to this article appears to have a close connection with its subject. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. Please discuss further on the talk page. (March 2010) (Learn how and when to remove this template message) John Wood, DipAD, ADF(Manc), FRSA (b. 25 August 1945) is Emeritus Professor of Design at Goldsmiths College, University of London. He taught many Young British Artists w...

 

 

Ahmad SanjarAhmad Sanjar menduduki takhtanya.Malik KhorasanBerkuasa1097–1118PendahuluArghun ArslanPenerusPenaklukan Kara-KhitanSultan Kekaisaran Seljuq RayaBerkuasa1118–1157PendahuluMuhammad IPenerusDawudInformasi pribadiKelahiranOktober 1086SinjarKematianTemplat:Date of death and ageMervWangsaWangsa SeljuqAyahMalik-Shah IIbuTajuddin Safariyya Khatun[1]PasanganTerken KhatunAnakTemplat:UnbulletedlistAgamaIslam Sunni Ahmad Sanjar (Persia: احمد سنجر; nama lengkap: Muizz ad-Du...

 

 

ロッテホールディングス > 銀座コージーコーナー この記事は検証可能な参考文献や出典が全く示されていないか、不十分です。出典を追加して記事の信頼性向上にご協力ください。(このテンプレートの使い方)出典検索?: 銀座コージーコーナー – ニュース · 書籍 · スカラー · CiNii · J-STAGE · NDL · dlib.jp · ジャパンサーチ&#...

شركة البترول الوطنية الكويتيةKNPCالشعارمقر شركة البترول الوطنية الكويتيةمعلومات عامةالتأسيس أكتوبر 1960مالنوع حكوميةالمقر الرئيسي الأحمدي، الكويتموقع الويب knpc.com المنظومة الاقتصاديةالشركة الأم مؤسسة البترول الكويتيةالشركات التابعة الشركة الكويتية لتزويد الطائرات بالو...

 

 

Desirée Ndjambo Desirée Ndjambo en el Circuito de Albacete, el 12 de octubre de 2008.Información personalNombre de nacimiento Desirée Ndjambo León Nacimiento 17 de octubre de 1976 (47 años)Madrid (Comunidad de Madrid, España) Residencia Madrid Nacionalidad EspañolaLengua materna Español EducaciónEducada en Universidad Carlos III de Madrid (Licenciatura en Periodismo)Facultad de Trabajo Social (Universidad Complutense de Madrid) (Diplomatura en Trabajo social) Información ...

 

 

Strategi Solo vs Squad di Free Fire: Cara Menang Mudah!