Christina Saj (/saɪ/; Ukrainian: Христина Сай; born 1967) is a Ukrainian American artist living and working in New Jersey.[1] She is best known for her paintings bridging traditional Byzantine iconography and contemporary art.[2] She has created icons in the modern vernacular, that are neither pastiche, nor nostalgic reference, but rather a meant religious symbol.[3]
Despite traditional training, Saj has often used found or unconventional materials in her work such as wood, metal, glass, collage elements and mixed media. Her works are based on traditional prototypes and therefore can be recognized as venerable objects of worship.[4]
Style and technique
Saj is a prolific artist who is equally comfortable producing intimate work and large scale painting in an architectural context.[8] In her 1997 solo exhibition “Remembering Myth” Saj explored the realization that all cultures search for spiritual meaning and thus began to pursue universal symbols with broad spiritual concepts.[9]
Saj's work features strong compositions, an ambitious palette that takes delight in decorative effects and ornamentation.[8] Her two-dimensional works merge representation with abstraction to create mystical spaces. She imbues the work with influences from traditional folk art, Ukrainian embroidery patterns, pysanka designs, and traditional religious iconography. A 1991 series made with industrial metal screens reduced her subjects to the purest geometric forms using subtle changes in texture and color to achieve definition.[4] When exhibiting these works, Saj sometimes offered a traditional illustration and/or a biblical reference alongside it.[8]
Some of Saj's early explorations were collage paintings that incorporated human x-rays she collected from a medical office.[4] The use of puzzle-pieced skeletons referenced reliquaries, bones, and living beings in real time. This use of x-rays addresses the figure inside and out thus capturing the essence of the human spirit.[10] Saj's work links the modern with the ancient.[11]
The Arts and Emhassies Program selected her Tree of Life series for the Qatar Embassy in Doha,Qatar.[16]
In 2019, the Ukrainian Museum in NYC invited Saj to do a public engagement installation project for them.[17] REcreate, an installation consisting of 12 large panels with moveable parts was invited museum goers to co-create works by reassembling removable pieces with the artist. The magnetized paintings turned passive viewers into co-creators,[18] encouraging them to think about composition the way artists do.[19] Participants posted their creations with the hashtag #RecreateAtUM which turned their artworks into an online exhibition on Instagram.[20]
In 2021, The Ukrainian Museum exhibited the Saj's response to COVID-19 titled “Finding Sanctuary During the Pandemic,”[21] a collection of paintings on vinyl records that lined a wall in the lobby and an adjacent gallery to dramatic effect:[22] The circular forms provided a sacred space at a stressful time to demonstrate that even amid the chaos, there is beauty, and there is art.[22]
In 2015 Augsburg Fortress of 1517 Media, the official publishing house of the Evangelical Lutheran Church in America (ELCA) commissioned Saj to create a Tree of Life Series for their Sundays and Seasons collection.[28]
Curatorial work
Saj was the founder and director of ARTspace 129 a gallery in Montclair NJ (2004–2007). She curated and presented 6 exhibitions of regional artists annually.[29]
Residencies
In 2022 she was awarded a residency at the Elizabeth Foundation for the Arts in New York City.[30]
In 2008, as part of a residency Saj created an installation of the Six Days of Creation at New Brunswick Theological Seminary which was installed in the sanctuary on the New Brunswick campus.[31]
Selected solo exhibitions
Lucky Charms, Talisman of a former life 81 Leonard Gallery, NYC 2023[32]
Finding Sanctuary: Painting thru the Pandemic, Ukrainian Museum, NYC 2022[33][34]
Sacred Space: Art as Sanctuary, First Presbyterian Church, Ann Arbor MI 2022[35]
Longing For What Belongs to Us FreshAirMontclair, 73 See Gallery, Montclair NJ 2020[36]
RE:create – Christina Saj's Transformative Paintings, Ukrainian Museum, NYC 2019[37]
^Popovych, Orest (2018). Encyclopedia of the Ukrainian diaspora volume one United States of America Book 3 S - Y. New York - Chicago: Shevchenko Scientific Society, Inc. pp. 7–8. ISBN978-0-88054-146-6.
^ ab"Saj's Indomitable Spirit exhibit in New York". The Ukrainian Weekly, Dec 2, 2001 p11. December 2, 2001. p. 11.
^ abcShevchenko, Olya (February 26, 1995). "Art Scene: Allegories paintings by Christina Saj". The Ukrainian Weekly.