In a review for AllMusic, John Duffy wrote: "Merging the organic sounds of post-bop jazz with modern electronic and progressive music requires a delicate approach... few young jazz players are daring to go this far on record. All the more telling, an indie label had the courage to release it."[1]
Mark Richardson of Pitchfork stated: "The Chicago Underground Quartet know how to integrate technology into their distinctive jazz sound. It's a fusion of some kind... so Wynton would not approve. But I'd call it a worthy extension of the tradition."[4]
Writing for All About Jazz, Mark Corroto commented: "The band has fully realized their concepts of modernism in the form of free jazz meet electronics and minimalism... Like the former fellow Chicago residents known as Sun Ra's Arkestra, the Chicago Underground Quartet are taking their musical performance to another level, beyond the expectations of their own generation."[5] Another AAJ reviewer remarked: "The most exciting moments on Chicago Underground Quartet lie at the intersection between different musical territories, which the group self-confidently treats as a fluid continuum... Each tune on this record... is a composition in the formal sense. Themes and moods receive detailed attention before the quartet moves on. But the disc is constructed in a coherent way so that it acquires body and spirit as a whole."[6]
In an article for My City Paper, Nate Chinen noted: "Chicago Underground Quartet manages to emulate both the intelligent chaos of the AACM and the spooky minimalism of Brian Eno... Post-jazz? Perhaps. At the very least, it represents a new brand of chemistry, and the most consistently vital album of this ensemble's evolving career."[7]
Matt Cibula of PopMatters praised the individual musicians, calling them "four of the tightest and most precise young jazz musicians working today," but stated that the group "played it safe... and it didn't pay off."[8]
