The AllMusic review by Thom Jurek stated that "Canto is the song of a master who employs all of his tools in the creation of a work of art".[2]
The All About Jazz review by Alex Henderson stated: "Lloyd, like Trane, has always been very spiritual, and there's no way getting around the fact that spirituality is a crucial part of Canto. The rewarding post-bop session has a meditative quality, and Lloyd's modal improvisations draw heavily on Middle Eastern and Asian spiritual music... [a] strong addition to Lloyd's catalogue."[3]