Their albums Dark Angels and Aether were funded using crowdfunding platform Indiegogo and raised US$3414 and £4575, respectively.[11][12]
In addition to performing live and recording music, Lester works as a teacher and an author.[7] Their debut opera, The Lion-Faced Man, appeared at Tête à Tête: The Opera Festival in August 2015, including a libretto by Hel Gurney and sung by Alison Wells.[13][14] Their first book, Trans Like Me: A Journey For All Of Us was published by Virago Press in May 2017.[15][16]
Tracks: "Songs from the Chinese, Op. 58: II. The Old Lute", "Songs from the Chinese, Op. 58: III. The Autumn Wind", "Songs from the Chinese, Op. 58: IV. The Herd-Boy", "Songs from the Chinese, Op. 58: V. Depression", "Farewell to Stromness", "Dark Angels, Op. 50: The Drowning Brothers", "Dark Angels, Op. 50: II. Dark Angels", "Dark Angels, Op. 50: III. Dead Fires", "Five Lullabies: Lullaby II", "Five Lullabies: Lullaby IV", "Five Poems of Emily Dickinson: II. I Had Been Hungry", "Five Poems of Emily Dickinson: III. I'm Nobody", "Five Poems of Emily Dickinson: IV. I Had a Guinea", "Nocturnal After John Dowland, Op. 70"
Lester is out as genderqueer, and has been hailed as a role model for combining their identity and their public career.[24] They have spoken about having difficulties finding work because of their gender identity and expression:
Classical music, now, is very conservative. I can't get chorus work because I wouldn't be willing to wear female clothes or be a member of a women's chorus. ... They didn't see that they were in the wrong – they thought I was wrong for daring to apply. So it was very much "We don't want people like that associated with us" and they were happy to put it down in writing.[25]
To preserve their singing voice, Lester has not used testosterone treatments, although they've since spoken about their own research showing losing a singing voice is not always a result of such therapy.[26][27]