Fairbairn played the trumpet since the age of 5,[1] as well as studying piano. Until the age of 16, he was a trumpetist in community groups. While in the 10th grade at Vancouver's Prince of Wales Secondary School, Fairbairn founded his first band The Spectres, managed by Bruce Allen, who would remain with Fairbairn through his career.[2]
In the early 1970s, Fairbairn started producing while he was part of the Vancouver jazz-rock group Sunshyne, in which he played both trumpet and horn. There he met bandmate Jim Vallance, who would go on to become one of the most successful songwriters in the music industry and an important music associate. After Vallance left Sunshyne in 1973, Fairbairn changed Sunshyne's format to blues-rock-pop. Fairbairn recruited guitarist Lindsay Mitchell, from Vancouver band Seeds of Time, as singer-songwriter and frontman. Fairbairn worked through 1974 to land a recording contract for Sunshyne, using demos of two songs written by Mitchell. By mid-1975, when Fairbairn could not close a record deal for Sunshyne, he approached Vallance for assistance. Vallance reworked the arrangements on the Mitchell songs and supplied three of his own at Fairbairn's request. One of the Vallance songs, "Open Soul Surgery" impressed an executive at record label GRT, who signed Fairbairn's group to a recording contract in 1976.[1][2][3]
Over the next year, Fairbairn produced an album using musicians from both Sunshyne and Seeds of Time (including himself). The newly renamed band Prism released its debut album in 1977.[2] The album reached platinum status in Canada, with sales in excess of 100,000 albums by 1978.1[citation needed] Fairbairn himself, however, elected not to be a member of Prism, and is credited only as producer and as a session musician on the album, and he did not play with Prism in any live performances.
Fairbairn produced Prism's next three albums, all of which went platinum or double platinum in Canada. In 1980, Fairbairn won his first of three Canadian music industry Producer of the YearJuno Awards for Prism's third album, Armageddon.
Loverboy
In 1980, while still working with Prism, Fairbairn started production work on the debut album for Canadian rock band Loverboy. The self-titled album Loverboy would be the first Fairbairn production to break through in the lucrative US market and launch Fairbairn's international success.[4]
Fairbairn's biggest commercial success is Bon Jovi's Slippery When Wet (1986), which made him a top-rate international producer. The album has sold over 28 million copies worldwide. "Bruce Fairbairn was a trumpet player," noted Jon Bon Jovi in 2007. "You couldn't get him on a guitar. And, for the first time, we were allowed to be us in the studio."[5]
"I've been lucky enough to work with so many different talents," Fairbairn noted, "but Bon Jovi may be the finest. There was record company pressure to deliver the hits, but they were a joy. People seem to concentrate so much on their success that they lose sight of how good these guys are."[6]
Permanent Vacation
His next major production, Aerosmith's 1987 album Permanent Vacation, was another international success and generated a series of hits including "Dude (Looks Like a Lady)", "Angel", and "Rag Doll". Steven Tyler said that Fairbairn was instrumental in the creation of the album and "helped relight the fire under Aerosmith".[2]
Continued international success
In 1988, Fairbairn produced the Bon Jovi album New Jersey, which holds the record for the hard rock/glam metal album to spawn the most Top 10 singles,[citation needed] with five singles charting in the Top 10 of the Billboard Hot 100, selling over seven million copies in the United States. Fairbain also produced Aerosmith's follow-up, 1989's Pump, which had sales in excess of seven million and was widely acclaimed by critics, and won him another "Producer of the Year" Juno Award.
In the 1990s, Fairbairn worked with a string of internationally influential hard rock acts. In 1990 he produced AC/DC's The Razors Edge, and Poison's Flesh and Blood. In 1993, he produced another Aerosmith commercial hit, Get a Grip, which racked up sales of seven million and solidified the band's growing representation as international media stars. Next, Fairbairn produced Scorpions' Face the Heat and in 1995 Van Halen's Balance. Also in 1995, Fairbairn went to Vallance's Armoury Studios in Vancouver to work on Chicago'sNight and Day: Big Band, and liked the studio so much he bought it from Vallance the following year.[1]
In late 1996, and through early 1997, Fairbairn produced INXS' comeback album Elegantly Wasted which, while garnering mixed reviews, obtained sales that were higher than the band's previous albums. Also, Fairbairn produced The Cranberries' To the Faithful Departed, and Kiss' reunion-album Psycho Circus.
During the mixing sessions for Yes' The Ladder, on May 17, 1999, Fairbairn was found dead by Yes singer Jon Anderson and Armoury Studios manager Sheryl Preston in his Vancouver home.[7] He was survived by his wife, Julie, with whom he had three sons: Scott, Kevin, and Brent.[2] Bob Rock explained that, on the week Fairbairn died, the two were to travel to New York to meet Bon Jovi for another album together.[2]
A memorial, "A Celebration of the Life of Bruce Earl Fairbairn", held at the Vancouver Chan Centre, was attended by more than 300 people. Highlighted by reminiscences from close friends, the event included musical performances from Jon Anderson and Steve Howe performing the song "Nine Voices" from Yes' The Ladder sessions, as well as Tom Keenlyside, guitarist David Sinclair and finally, "Taps" played on Bruce's trumpet by son Brent.[8]
His interviews concerning The Ladder represent some of his final moments on camera, included in short sections as part of the bonus material on Yes' Live at the House of Blues DVD.
