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Young aspiring model Aki Shima is kidnapped by a mysterious blind man and taken to his home in a warehouse, which is filled with sculptures of human body parts and female figures. The blind man, Michio Sofu, is a sculptor who wishes to use Aki as an unwilling muse for his greatest work. As her time in captivity wears on, Aki soon becomes enraptured by her captor and the two become lovers, beginning a series of sadomasochistic games. In the end, Aki professes that she wants to become more than just the inspiration for his artwork and instead wishes to become the piece itself, to which Michio agrees. After killing and dismembering Aki, Michio "sculpts" her corpse into a macabre work of art. Having completed his life's work, Michio commits suicide.
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Blind Beast was released in Japan on January 25, 1969.[1][3] The film was released by Daiei International Film with English subtitles in April 1969.[1] It was reissued by Roninfilm under the title Warehouse in February 1974.[1] It was released to Blu-ray in the United States from Arrow Films on August 24, 2021. [4]
Reception
In a contemporary review, Variety praised the cinematography and Shigeo Mano's art direction, while noting that his previous films dealt with sexuality such as Daini no Seo and Manji but "these are kindergarten material compared with The Blind Beast...it's a sick film."[5]
Retrospective reviews include critic Jasper Sharp calling it "One of the most fascinatingly freakish of all the big screen adaptations of the works of Japanese mystery writer Edogawa Rampo".[6] Tom Vick of AllMovie compared the film to The Collector and opined that "Masumura, a master of dark humor and macabre psychodrama, strikes an odd balance between silliness and horror throughout the film. One of the nuttier entries in his oeuvre, Blind Beast is a delicious guilty pleasure."[7]Sight & Sound referred to the film as a "fascinating curiosity" with "bizarre production design, tendency towards outlandish symbolism and eccentric performances, it seems at least partly tongue in cheek even at its most extreme."[8]