Despite being relatively unknown, the Blessed Soul was noted by some visitors to Rome. In particular, the painter Joshua Reynolds stated that the sculpture "has all the sweetness and perfect happiness expressed in her countenance that can be imagined."[4] However, the Blessed Soul has not been considered one of Bernini's finest works in more recent times. Wittkower points to the "doughy hair of the Anima Beata",[3] while Hibbard finds it uninspiring when compared to the Damned Soul, mentioning that 'virtuous appearances' do not translate too well into sculpture.[5]
Recent scholarship on the sculpture has queried whether its topic is not the Christian personifications of blessedness but a depiction of a nymph.[6]
Cueto, David García (2015-01-01). "On the original meanings of Gian Lorenzo Bernini's Anima beata and Anima dannata: Nymph and Satyr?". Sculpture Journal. 24 (1): 37–53. doi:10.3828/sj.2015.24.1.4. ISSN1366-2724.