Besouro was a dangerous faquista, highly skilled in knife fight, and known to play with a straight razor using his foot.[1] Besouro was murdered quite young in 1924 in the Maracangalha camp, in the Santa Casa de Misericórdia of Santo Amaro.
Shortly after his death, Besouro became a mythical capoeira hero.[1] Its fame reached the national level from the 1930s and, with the expansion of capoeira to other continents, it became international.
Besouro Mangangá was the son of Maria José and João Matos Pereira, born in 1895. He was a native of the Bahian recôncavo and lived in that region, during a period when the sugarcane fields flourished in Santo Amaro , they played an important role in the productive scenario, through the sloops along the subaé river they took the goods that went to and arrived at the pier in Salvador.
Capoeira carrier
Manoel Henrique, who, from an early age, learned the secrets of capoeira from Mestre Alípio in Trapiche de Baixo, was baptized as Besouro Mangangá because of the belief of many who said that when he got into a conflict were the number of enemies was too great to be able to beat them, he would turn into a beetle and fly away. Several legends arose around Besouro to justify his deeds, the main one attributes to him the “closed body” (corpo fechado) and that bullets and daggers could not hurt him. Due to his supposed powers, the Beetle Mangangá became a mythological character for capoeira practitioners, having his identity related to bullies, cappadocians and rascals.
It is speculated that he did not like the police and that he had several confrontations with its forces, [2] sometimes gaining the advantage in the clashes. However, according to Antonio Liberac Cardoso Simões Pires:
His practices cannot be associated with banditry, because Besouro has always characterized himself as a worker throughout his life, never being arrested for theft, theft or ordinary criminal activity. His arrests were related to actions against the police , especially while he was in the army.
Some historical documentation records the confrontations between Besouro Mangangá and the police , such as what happened in 1918, in which Besouro would have gone to a police station in the neighborhood of São Caetano , in Salvador , to recover a berimbau that belonged to his group. With the agent's refusal to return the seized object, Besouro went on the attack with the help of some companions. They were unable to recover the desired berimbau, as they were repelled off by the police, who received help from a group of local residents.
According to legend, an ambush was set up for him. It is said that he, himself (who could not read), carried the written message identifying him as the person to be killed, thinking that it was a message that would bring him work. Legend says he was killed with a special wooden dagger prepared during magic rituals in order to overcome his corpo fichado.[3]
In popular culture
The Assailant, a film adaptation of the story of Besouro, directed by João Daniel Tikhomiroff, premiered in Brazil on October 30, 2009.[4] Besouro was played by Ailton Carmo, and the fight choreography was handled by Huan-Chiu Ku, choreographer for the fight scenes in Kill Bill.
Literature
Capoeira, Nestor (2002). Capoeira: Roots of the Dance-Fight-Game. Blue Snake Books. ISBN978-1-58394-637-4.
Capoeira, Nestor (2007). The Little Capoeira Book. Blue Snake Books. ISBN9781583941980.
