| Balan: The Boy | |
|---|---|
Theatrical release poster | |
| Directed by | Chidambaram |
| Written by | Jithu Madhavan |
| Produced by | Venkat K. Narayana Shailaja Desai Fenn |
| Starring | Adhisheshan K. R. Farzana Palathingal Muhammad Zinaan Tovino Thomas Girish A. D. Jean Paul Lal |
| Cinematography | Shyju Khalid |
| Edited by | Vivek Harshan |
| Music by | Sushin Shyam |
Production companies | KVN Productions Thespian Films |
Release date |
|
Running time | 150 minutes |
| Country | India |
| Language | Malayalam |
Balan: The Boy is a 2026 Indian Malayalam-language drama film directed by Chidambaram and written by Chidambaram and Jithu Madhavan. The film stars Farzana Palathingal, Adhisheshan K. R. and Muhammed Zinaan in the lead roles, alongside Jean Paul Lal and Tovino Thomas. Produced under the KVN Productions banner, the film features music by Sushin Shyam, cinematography by Shyju Khalid and editing by Vivek Harshan, and was shot predominantly in Wayanad, Kerala.
Follows a teenage boy searching for his missing mother following a turbulent childhood and her subsequent disappearance, exploring his search for closure and the truth about his past.[1]
The background score ans score were composed by Sushin Shyam. All songs were written by Anwar Ali.
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Thaakkol" | Nila Raj | 02:07 |
| 2. | "Engotta" | Sushin Shyam | 03:23 |
| 3. | "Makane Makane" | Shanka Tribe & Neha Nair | 03:46 |
| Total length: | 09:17 | ||
After the success of Manjummel Boys (2024), director Chidambaram would collaborate with Jithu Madhavan, who is writer of the film, announced the new project on 2 January 2025, in his third directorial venture after Jan.E.Man (2021) and Manjummel Boys.[2] The film is produced by Venkat K. Narayana under KVN Productions and Shailaja Desai Fenn under Thespian Films, marketing their first production in Malayalam cinema.[3] The film's title was announced on 19 August 2025.[4]
The film reunited Chidambaram with several members of the Manjummel Boys technical crew, including cinematographer Shyju Khalid, music composer Sushin Shyam, editor Vivek Harshan and production designer Ajayan Chalissery. Ganapathi S. Poduval served as executive producer and casting director.[5]
Principal photography began with a pooja ceremony at Kovalam on 20 August 2025.[6] The filming wrapped on 6 December 2025.[7] The film is shot in various location Kunduvadi near Pulpalli–Chekadi Road at Wayanad, Mangaluru.
Balan - The Boy was released on 19 June 2026 in theatres worldwide.[8][9] Apart from Malayalam, it was dubbed and released in Hindi, Telugu, Tamil and Kannada languages.
The post-theatrical were reportedly acquired by ZEE5.[10] The film started streaming from 31 July, 2026.
Balan - The Boy received critical acclaim from critics. Anandu Suresh of The Indian Express rated the film 3 out of 5 and wrote that the survival drama "impresses in first half, but stumbles in second", while adding that the film belonged "entirely to Farzana Palathingal".[11]
Anna Mathews of The Times of India gave the film 3 out of 5, praising its "captivating" first half, layered storytelling and Adhisheshan K. R.'s performance, but criticised the muted emotional build up and called the ending "somewhat underwhelming".[12]
Latha Srinivasan of NDTV also rated the film 3 out of 5, describing it as "a survival drama that impresses for the most part". She praised the mother son characterisation and performances, while noting that the film's slow and unconventional style could disappoint viewers expecting a commercial entertainer.[13]
Vignesh Madhu of The New Indian Express rated the film 3.5 out of 5 and called it "an unusually haunting ode to motherhood". He praised Farzana Palathingal's performance and wrote that the film was smaller in scale than Chidambaram's previous film Manjummel Boys, but had "a far bigger heart".[14]
Early audience response was reported as generally favourable. The Times of India stated that the film received "encouraging responses on social media after the first shows", with viewers praising its measured pacing, emotional intensity, performances and technical aspects.[15]
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