Safavid writers and artists most likely learned about the Chinese art from artworks that had arrived in Iran several decades earlier, as there were very few cross-cultural exchanges of art items between China and Iran during the reign of Shah Tahmasp I (r. 1524–1576).[5]
Weis, Friederike (2020). "How the Persian Qalam Caused the Chinese Brush to Break: The Bahram Mirza Album Revisited". Muqarnas Online. 37 (1): 63–109. doi:10.1163/22118993-00371P04. S2CID230660318.
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