Andrew John Preston "Andi" Spicer (1959 – 30 April 2020) was an English electroacoustic classical music composer who used electronics (see Electronic Music) in his compositions.
He studied economics at Aston University in Birmingham and pursued a career in journalism, while composing and performing free form improvised music (see free improvisation). He lived in Johannesburg, South Africa between 1996 and 2003, working as a foreign correspondent for major US and British newspapers, after which he moved back to England. He lived in Brighton from 2013, and was a member of the New Music Brighton and London Forum collectives of composers in the UK. His compositions have been featured at the Brighton Festival, Soundwaves Festival,[5]Huddersfield Contemporary Music Festival, Goldsmiths College Pure Gold Festival,[6]Royal College of Music in London, London COMA Summer School,[7] Bille en Tête Festival (Musique En Roue Libre) in Arras, France,[8][9] and at the All Ears Contemporary Music Festival[10] in London, as well as at the Grahamstown Festival in South Africa and performed elsewhere in France, Italy, Sweden, Austria,[11] Mexico and the US.
In 2019, he moved to Llandysul, Wales, and died there a year later from cancer.
Compositions
In Anglo Boer War (1999) he explored cluster note and microtonal techniques. The piece is a strident anti-war composition written for the hundredth anniversary of the Anglo Boer War (see Second Boer War) and was a collaboration with the artist James de Villiers.
His 63 Moons (2003) composition was influenced by the Javanese gamelan music, Shonambira music and contemporary minimalist composers.
Click Language (2004) continued Spicer's African themes and uses sampled words from southern African click languages such as Xhosa (see Xhosa language), Zulu (see Zulu language) and Khoisan languages as a sound patina for four percussionists, comprising vibraphone, marimba, waterphone and other hand-held instruments. Baobab (2003) employs polyrhythms inspired by southern African drumming and features the vibraphone and marimba. There is a version of Baobab for harpsichord (2006), written for Polish harpsichordist Kasia Tomczak-Feltrin,[15] and an extended version for harpsichordist Jane Chapman. He was writing an opera for video based on Arno Schmidt's novel The Egghead Republic (Die Gelehrtenrepublik).[16][17]
Recent works explored live electronics and acoustic instrument blends,[18] including MIDI instruments. Since the beginning of 2006, he worked closely with French woodwind and electronic music soloist and professor of woodwind at the London Royal College of Music, Julien Feltrin. Spicer has also worked with London-based percussion ensemble Brake Drum Assembly.[19] He formed the ensemble Caos Harmonia[20] to perform his music in 1997 and has also performed with London-based new music group, The Kluster Ensemble.
Film and video
Austrian video artist Peter Gold[21] produced a short film for three movements of Anglo Boer War for the 2006 All Ears Contemporary Music Festival in London. Antarctica (1995–1996) is an early work for electronics written for an unreleased video of Antarctic landscapes.
Art installations
Spicer collaborated with performance artist Paolo Giudici in the installation Thesis at the Hockney Gallery at the Royal College of Art in London in 2006. Painter/multimedia artist James de Villiers worked with Spicer in The Architecture of Air,[22] which toured the US, Mexico and South Africa in 2001–2003 with Transformations,[23] an exhibition of South African art. Inside, Outside (2001) is an electronic piece for a James de Villiers' installation of the same title shown at the Carfax in Johannesburg.
Selected works
Antarctica (1995–96) – for electronics, video
Virtually Ambient Shostakovich (1997) – for voices, sampler and keyboards
Anglo Boer War (1999) – for voices, strings and electronic manipulation
