Amy Pleasant (born 1972) is an American painter living and working in Birmingham, AL.
Biography
Pleasant received a BFA from The School of the Art Institute of Chicago and an MFA from the Tyler School of Art at Temple University. Pleasant is best known for her figurative, free associative paintings and drawings that explore simple, daily acts in slowly unfolding narratives. In an article from Art in America, Max Henry wrote that her work “chronicles everyday life…full of existential angst and loneliness, her paintings are able to evoke an empathetic response from the viewer.”[1]David Moos wrote of Pleasant's work that through “fragments of overlapping narratives” the viewer is allowed to “glimpse the formation of images” and is “made aware of how the painter makes decisions in paint, amending a passage and visibly editing the composite image.”[2] Martha Schwendener, art critic for The New York Times and critic of photography at the Yale School of Art, reviewed Pleasant's work in the contemporary art periodical Artforum, stating that Pleasant's paintings are “laid out in grids which collectively hint at angst-ridden narratives” which are stylistically reminiscent of “early Sue Williams paintings—the vitriolic feminist ones—or comics whose narrative core has disintegrated, leaving behind only the shame, fear, or desire that instigated them in the first place.”[3]
Pleasant's work is also included in the White Columns Artist Registry (New York, NY)[16] and the Drawing Center's Viewing Program (New York, NY).[17]
Her work can be found in the collections of the Montgomery Museum of Fine Arts,[18] the Abroms-Engel Institute for the Visual Arts, the Birmingham Museum of Art, the Knoxville Museum of Art,[19] the Columbus Museum of Art, the Wiregrass Museum of Art, the Progressive Corporation, and the U.S. Consulate General in Dubai,[20] as well as in many private collections.
Pleasant was commissioned by the American ambient/post-rock band Hammock to create the album art for its 2013 release, Oblivion Hymns.[21]
A limited edition screen print, Repose, was featured at the 20th Annual ART PAPERS auction in 2019.[22] She is represented by the Jeff Bailey Gallery (New York, NY)[9] and Whitespace Gallery (Atlanta, GA).[23]
Her first monograph, The Messenger’s Mouth Was Heavy, was co-published in 2019 by Institute 193 and Frank and includes essays by Daniel Fuller and Katie Geha.[24]
In 2021, Emory's Public Art's Committee commissioned the installation of an Amy Pleasant work called “Resting Figure” for the Emory Atlanta campus art collection. The work is to honor Emory Healthcare and Emory University personnel’s sacrifice, commitment, and dedication during the COVID-19 pandemic. This sculpture’s creation was generously supported by Rebecca and Sidney Yarbrough 59C 63M 64MR 67MR 70MR P01.[25]
From October 20, 2022 – January 8, 2023, a maquette called Torso II was on display at the Connections: The Power of Objects exhibition at the Robert W Woodruff Library. The maquette was created by artist Amy Pleasant to cast the twelve foot tall bronze outdoor sculpture that will be situated between the Quad and Cox Hall on Emory's campus starting April 2023.[26]
Awards
Pleasant has been the recipient of a number of awards in recognition of her art, including both the prestigious Guggenheim Fellowship in 2018[27] as well as the 2018 South Arts Southern Prize and State Fellowship for the State of Alabama.[28]
In December 2015, Pleasant was announced as one of only 25 recipients of the 2015 Joan Mitchell Foundation Painters & Sculptors Grant, which acknowledges painters and sculptors creating work of exceptional quality through unrestricted career support.[29]
Other awards include the Mary Hambidge Distinguished Artist Award (2015)[30] and Individual Art Fellowships from both the Cultural Alliance of Birmingham (2008)[27] and the Alabama State Council on the Arts (2003, 2019).[31][32]
