BFA, School of the Art Institute of Chicago
MFA, Yale University
Occupation
Artist
Alicia Henry (May 11, 1966 – October 17, 2024) was an American contemporary artist who lived, worked, and taught in Nashville.[1] Henry was an associate professor in the Language and Arts Department at Fisk University.[2] Henry created multi-media artwork that focused on themes of the body and identity. She used materials such as wood, fabric, paper and pigment for her creations.[3] Henry received a Bachelor of Fine Arts from The School of the Art Institute of Chicago and a Master of Fine Arts from the School of Art at Yale University.[4]
Work
Henry made layered, figurative textile wall hangings from stitched and hand-embroidered dyed cotton, leather, felt, linen, and burlap. [5] Her work explored themes of familial relationships, beauty, the body and identity.[6]
Career
Alicia Henry's work has been exhibited at various institutions including the Whitney Museum (New York), The Drawing Center (New York), Carnegie Museum of Art (Pittsburgh), Frist Art Museum (Nashville) and the Cheekwood Museum of Art (Nashville).[7] From January 26, 2019 to May 12, 2019, Henry had her first Canadian exhibition at The Power Plant in Toronto, Ontario.[8] The exhibition was entitled Witnessing and it consisted of many two-dimensional mixed media figures as well as group compositions. From May 26, 2021 to July 3, 2021, Henry had her first solo exhibition, Alicia Henry: To Whom It May Concern in the United Kingdom at Tiwani Contemporary.
Personal life and death
Henry was diagnosed with cancer in the early 2020s. She died from the disease on October 17, 2024, at the age of 58.[9][10]
Honors
2013: Painters & Sculptors Grant Program from The Joan Mitchell Foundation.[11]
^"The Black Index". University of California, Irvine. Retrieved 2 October 2024. The artists featured in The Black Index—Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images.