Brendel was born in Wizemberk,[2]Czechoslovakia (now Loučná nad Desnou, Czech Republic) to a non-musical family.[3] They moved to Zagreb, Yugoslavia (now Croatia), when Brendel was three years old and he began piano lessons there at the age of six with Sofija Deželić. He later moved to Graz, Austria, where he studied piano with Ludovica von Kaan at the Graz Conservatory and composition with Artur Michel. Towards the end of World War II, the 14-year-old Brendel was sent back to Yugoslavia to dig trenches.
After the war, Brendel composed music as well as continued to play the piano, to write and to paint. But he never had more formal piano lessons and, although he attended master classes with Edwin Fischer and Eduard Steuermann, was largely self-taught after age 16.[4]
Brendel recorded extensively for the Vox label, providing it his first of three sets of the complete Beethoven sonatas. His breakthrough came after a recital of Beethoven at the Queen Elizabeth Hall in London, the day after which three major record labels called his agent. Around this time he moved to Hampstead, London, where he still lives.[1] Since the 1970s, Brendel has recorded for Philips Classics Records.[10] Brendel completed many tours in Europe, the United States, South America, Japan and Australia.[11] He had a particularly close association with the Vienna and Berlin Philharmonic Orchestra, but played regularly with all major orchestras in the US and elsewhere.[12] Brendel has performed many cycles of the Beethoven sonatas and concertos, and was one of the few pianists who, in later years, could continue to fill large halls.[12][13] He is only the third pianist (after Emil von Sauer and Wilhelm Backhaus) to have been awarded honorary membership of the Vienna Philharmonic, and he was awarded the Hans von Bülow Medal by the Berlin Philharmonic.[5]
Reviewing his 1993 Beethoven: The Late Piano Sonatas (Philips Duo 438374), Damian Thompson of The Daily Telegraph described it as "a more magisterial approach ... sprinkled with touches of Brendel's strange, quirky humour."[14]
In 2009 Brendel was featured in the German-Austrian documentary Pianomania, about a Steinway & Sons piano tuner, directed by Lilian Franck and Robert Cibis. The film premiered theatrically in North America, where it was met with positive reviews by The New York Times,[16] as well as in Asia and Europe, and is a part of the Goethe-Institut catalogue.
Work
Brendel frequently performed the music of Haydn, Beethoven, Schubert and Mozart. He has played relatively few 20th century works but has performed Arnold Schoenberg's Piano Concerto.
Brendel was lauded by music critic Michael Steinberg as "the new Schnabel",[citation needed] whereas NY Times critic Harold C. Schonberg noted that some critics and specialists accused the pianist of "pedanticism".[17] Brendel's playing is sometimes described as "cerebral",[18] and he has said that he believes the primary job of the pianist is to respect the composer's wishes without showing off himself, or adding his own spin on the music: "I am responsible to the composer, and particularly to the piece".[12] Brendel cites, in addition to his mentor and teacher Edwin Fischer, pianists Alfred Cortot, Wilhelm Kempff, and the conductorsBruno Walter and Wilhelm Furtwängler as particular influences on his musical development.[citation needed]
In 2007 Brendel announced that he would retire from the concert platform after his concert of 18 December 2008 in Vienna, which featured him as soloist in Mozart's Piano Concerto No. 9; the orchestra (the Vienna Philharmonic) was conducted by Sir Charles Mackerras.[7] His final concert in New York was at Carnegie Hall on 20 February 2008, with works by Haydn, Mozart, Beethoven and Schubert. Since his debut at Carnegie Hall on 21 January 1973 he performed there 81 times, including complete cycles of Beethoven's piano sonatas in 1983[25] and 1993.[citation needed]
Personal life
Brendel has been married twice. His first marriage, from 1960 to 1972, was to Iris Heymann-Gonzala, and produced a daughter, Doris, who is a progressive rock and pop rock musician. In 1975, Brendel married Irene Semler, and they have three children; a son, Adrian, who is a cellist, and two daughters, Katharina and Sophie.[12]
Brendel has been a prolific author. His writings have appeared in English, German, French, Italian, Spanish, Dutch, Japanese, Korean, and other languages. For several years, he has been a contributor to The New York Review of Books.[26] His books include:
Musical Thoughts and Afterthoughts (essays) (1976)
Music Sounded Out (1990) – essays, including "Must Classical Music be Entirely Serious?"
One Finger Too Many (poetry) (1998)
Alfred Brendel on Music (collected essays) (2001)
Me, of All People: Alfred Brendel in Conversation with Martin Meyer (2002) (UK edition: The Veil of Order)
Cursing Bagels (poetry) (2004)
Playing the Human Game (collected poems) (2010) Phaidon Press
In 2012, Limelight asked 100 pianists which other pianist inspired them the most. In addition to his student, Paul Lewis, Brendel was mentioned by three others.[36] He was included in Peter Donohoe's "Fifty Great Pianists" series for BBC Radio 3, which aired in 2012.[37][38][39]
References
^ abcPlaistow, Stephen (2007). "Brendel, Alfred". Grove Music Online. Retrieved 24 February 2024.
^ Wizemberk had formerly been called Wiesenberg when it had been part of Austria-Hungary, but was renamed after the creation of Czechoslovakia following the breakup of the Austro-Hungarian Empire