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Aiko Miyanaga (born 1974) is a contemporaryJapanese artist known for sculpture and installation works that give visual form to time by revealing the evidential traces of its passing.[1] Miyanaga has made many works using naphthalenee which leads to the disintegration of the work over time.
Early life and education
Aiko Miyanaga was born in 1974 into a family of potters in Kyoto, Japan, heir to the Miyanaga Tozan kiln.[1] Miyanaga's father is a ceramic artist and a former member of the now disbanded avant-garde modern Japanese ceramics collective Sodeisha.[2]
In 2014, Miyanaga presented a work entitled "Soramimimisora (Hearing Things)", a sound installation employing ceramics.
In 2015, Miyanaga took part in an exhibition inside the exclusion zone near the Fukushima Daiichi Nuclear Power Plant along with Ai Weiwei, Taryn Simon, Meiro Koizumi, Takekawa Nobuaki, Ahmet Öğüt and Trevor Paglen. The exhibition was not accessible by anyone during the exhibition dates due to unsafe levels of radioactivity in the area[5]
