The album marked a significant change in Banton's artistry, going to a direction closer to roots reggae. 'Til Shiloh was widely acclaimed by critics, and is considered to be a classic album for reggae music.[1]
'Til Shiloh was described as an introspective record.[3] Its themes mainly explore Buju's then newfound faith in the Rastafari movement, with songs such as "Til I'm Laid to Rest", and "Untold Stories". This could be seen as a transition from the rude-bwoy style, made of glorifications of gun violence, to a more roots-oriented fashion.[4] Jo-Ann Greene of AllMusic said that the album "consolidated his move into social awareness and adopted a more mature, reflective tone that signaled Banton's arrival as an artist able to make major creative statements".[4]
The title track, which opened the album, was based on an introduction Banton had used in live shows. According to producer Donovan Germain, "'Til Shiloh mean forever."[2]
Angus Taylor of BBC Music commented that "this is a very listenable landmark, which reminds us that while lyrical topics may differ, musically, reggae is one".[11]AllMusic's reviewer Jo-Ann Greene said that "this is a gentler album than its predecessor, although still very much in a dancehall style. Another masterpiece".[1]Robert Christgau stated that the record is "The most fully accomplished reggae album since the prime of Black Uhuru", praising "how he perfectly articulates empathy, vulnerability, and concern".[10]
The album was listed in the 1999 book The Rough Guide: Reggae: 100 Essential CDs.[12]
Reissues
In 2002 the album an expanded and remastered edition was released on Island/IDJMG/Universal Records, featuring the tracks "Sensemilia Persecution" and "Rampage".
In 2020, the album was reissued on its 25th anniversary on December 18, including remixes of "Not an Easy Road", "Wanna Be Loved" and a unreleased track called "Come Inna The Dance" as bonus tracks.[13]
