You can help expand this article with text translated from the corresponding article in Russian. (October 2016) Click [show] for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Russian Wikipedia article at [[:ru:Биготтини, Эмилия]]; see its history for attribution.
You may also add the template {{Translated|ru|Биготтини, Эмилия}} to the talk page.
Despite her numerous liaisons, she escaped the reputation for immorality which afflicted most of her contemporaries in the dance world. She was considered as an example of good artistic taste, svelte, precise and excelling in mime.
a daughter, Armandine Alphonsine Pignatelli d'Aragon Bigottini, born in Paris on April 10, 1807. The child's father, the prince Pignatelli, eventually recognized her. Armandine married Alphonse Daloz in 1827,[2] and had two children; she died in Créteil on August 11, 1833.
a son, François Jean Charles, born in Paris on August 27, 1815.[3] The child was conceived during the Congress of Vienna and his father presumed to be an Austrian count. (Bigottini had accompanied Charles-Maurice de Talleyrand-Périgord to Vienna in 1814.)
Sources
Félix-Bouvier, Une danseuse de l'Opéra, la Bigottini (Paris, Noël Charavay, 1909).
