Pavel Josef Vejvanovský

Pavel Josef Vejvanovský (deutsch: Paul Josef Weiwanowski; * um 1633 in Hochwald/Hukvaldy, Mähren; † 24. Juni 1693 in Kremsier/Kroměříž) war ein mährischer Komponist, Barocktrompeter und Chorleiter (»Cori praefectus« an der St.-Mauritius-Kirche).

Leben

Pavel Vejvanovský besuchte zwischen 1656 und 1660 das Jesuitenkolleg in Troppau und machte dort mit Heinrich Ignaz Franz Biber und Philipp Jakob Rittler Bekanntschaft.

1664 wurde er Mitglied der Kapelle des Olmützer Fürstbischofs Karl Liechtenstein-Kastelkorn (1624–1695), in dessen Sommerresidenz zu Kremsier Heinrich Ignaz Franz Biber bis 1670 als Leiter dieses Ensembles wirkte. Nach Bibers unverhoffter Abreise nach Salzburg übernahm Vejvanovský die Nachfolge bis zu seinem Tod im Jahre 1693. Als Feldtrompeter (tubicen campestris) erhielt er offiziell nie den Titel des Hofkapellmeisters.

Etwa einhundert Werke, darunter Messen, Motetten, Offertorien, Vespern und Instrumentalwerke, sind erhalten, davon etwa die Hälfte als Handschriften im Archiv des Kremsierer Schlosses und in der Musikabteilung des Nationalmuseums in Prag. Vejvanovský beherrschte mehrere Sprachen und besaß eine bedeutsame Bibliothek.

Werk

Die Orchesterwerke (Ballette, Serenaden und Sonaten) zeichnen sich durch ein vielschichtiges Instrumentarium aus. Sein Kompositionsstil bildet eine Synthese der späten Wiener und venezianischen barocken Musikrichtung und fasziniert durch frische melodische Führung, straffen formalen Aufbau und eine gekonnte Instrumentierung.

Ein regelrechtes Werkeverzeichnis gibt es nicht. Da alle erhaltenen Werke in der Musiksammlung in Kremsier / Kroměříž aufbewahrt werden, kann das Bestandsverzeichnis von Sehnal und Pešková (siehe Bibliographie) als guter Ersatz dienen, es enthält auch Incipits. In „Inventar-Nr.“ zeigt die erste Ziffer die fortlaufende Nummer dort an, die zweite nach dem Bindestrich bezieht sich auf das Inventar von Craig Otto (siehe Bibliographie).

Dieses Verzeichnis ist hinsichtlich der Werke, die Vejvanovský sicher zugeschrieben werden können, vollständig.

Messen

Inventar-Nr. Titel Besetzung Komponiert Notiz
748 - I/273a Missa 4 voci, 2 violini, 2 viole e organo 1682
749 - I/148 Missa bonae spei 4 voci, 2 violini, 2 viole, 2 trombe, 3 tromboni e basso continuo (organo) 1679
750 - I/262 Missa bonae valetudinis 5 voci, 2 violini, 2 viole, 2 trombe, 3 tromboni ad lib. e basso continuo (organo) 1681
659 - I/98 Missa brevis 4 voci, 2 violini, 2 trombe ad lib., 3 tromboni ad lib. e basso continuo 1664 Autorenschaft unsicher
751 - I/197 Missa clamantium 4 voci, 2 violini, 2 viole, 2 clarini ad lib. e organo 1683
752 - I/200 Missa fidelitatis 4 voci, 2 violini, 2 viole, 2 trombe, 3 tromboni ad lib. e basso continuo (organo)
753 - I/155 Missa florida 5 voci, 2 violini, 3 viole, 2 trombe, 3 tromboni e basso continuo (organo) 1678
754 - I/203 Missa martialis voci, 2 violini, 2 viole, 2 trombe e 3 tromboni 1682
755 - I/274 Missa misericordia 4 voci, 2 violini, 2 viole, 2 clarini ad lib. e organo 1683
756 - I/199 Missa refugii 5 voci, 2 violini, 2 viole, 2 trombe, 3 trombon e basso continuo (organo) 1682
757 - I/274a Missa Rogate 4 voci, 2 violini, 2 viole e basso continuo
759 - I/265 Missa salvatoris 4 voci, 2 violini, 3 viole, 2 trombe, 3 tromboni ad lib. e basso continuo (organo) 1677
760 - I/83 Missa salvatoris 1677
758 - I/273 Missa S. Josephi 4 voci, 2 violini, 2 viole e organo 1682
761 - I/159 Missa visitationis BVM 4 voci, 2 violini, 2 trombe, 3 tromboni e basso continuo 1665
707 - XIII/27 Requiem 4 voci, 3 viole e organo Autorenschaft unsicher

Offertorien und Motetten

Inventar-Nr. Titel Besetzung Komponiert Notiz
765 - II/79/3 Adeste cherubim, venite seraphim 4 voci, 2 violini, 2 viole e organo 1685
663 - II/78 Ave martyr purpurate 4 voci, 2 violini, 5 viole e organo dopo il 1672 Autorenschaft unsicher
740 - II/77 Ave sanctissimum redemptoris nostris corpus 4 voci, 2 violini, 2 viole, violone, 3 tromboni e organo 1687
764 - II/121 Benedicite gentes 4 voci, 2 violini, 2 viole e organo 1687
762 - II/319 Congavdete mecum 4 voci, 2 violini, 3 viole e organo 1677
739 - II/86 Congregati sunt inimici nostri 6 voci, 2 violini e 3 tromboni 1684
765 - II/79/5 Cum complesset Salomon 4 voci, 2 violini, 2 viole e organo 1685
765 - II/79/1 Estote fortes in bello 4 voci, 2 violini, 2 viole e organo 1685
768 - II/250 Exurgat Deus et dissipentur 4 voci, 2 violini, 2 viole, 2 trombe, 3 tromboni e organo 1687
698 In confessione laudis 4 voci, 2 violini, 2 viole, 2 trombe e organo 1675 ca. Autorenschaft unsicher
765 - II/79/6 Media nocte clamor 4 voci, 2 violini, 2 viole e organo 1685
747 - II/83 Medicamen contra pestem 4 voci, 2 violini, 2 viole, 3 tromboni e basso continuo (organo) 1679
763 - II/46 Mottetum de Sancta Caecilia ca. 1678
765 - II/79/7 O rex gloriae 4 voci, 2 violini, 2 viole e organo 1685
661 - II/78, 337 Pastores eja 6 voci, 2 violini, 4 viole, violone organo 1671 Autorenschaft unsicher
765 - II/79/4 Quasi sidus lucidissimum 4 voci, 2 violini, 2 viole e organo 1685
756 - II/80 Quasi sidus lucidissimum / Offertorium de Confessore 1685
747 - II/83 Stella caeli extirpavit 4 voci, 2 violini, 2 viole, violone, trombone e organo 1679
668 - II/107 Transfige, o dulcissime soprano, 2 violini, 2 tromboni, viola e organo 1656 Autorenschaft unsicher
790 - II/67 Usquequo exaltabuntur 4 voci, 2 violini, 2 viole, 3 tromboni e organo 1683
765 - II/79/2 Usquequo peccatores 4 voci, 2 violini, 2 viole e organo 1685
765 - II/79/8 Vide, Domine, afflictionem 4 voci, 2 violini, 2 viole e organo 1685
767 - II/22 Vide Domine afflictionem nostram / Offertorium de tempore 1686
794 - II/72 Vidi Dominum sedentem 4 voci, 2 violini, 2 viole, 3 tromboni e organo 1677

Vespern, Litaneien und Antiphonen

Inventar-Nr. Titel Besetzung Komponiert Notiz
792 - III/44 Benedictus Dominus Deus (Vesperae de sabbatho) 1689
652 - III/6 Confitebor tibi Domine 6 voci, 2 violini e 3 tromboni 1660 Autorenschaft unsicher
792 - III/44 Exaltabo te Deus meus (Vesperae de sabbatho) 1689
792 - III/44 Lauda anima mea (Vesperae de sabbatho) 1689
792 - III/44 Lauda Jerusalem Dominum (Vesperae de sabbatho) 1689
792 - III/44 Laudate Dominum quoniam bonus (Vesperae de sabbatho) 1689
693 - V/9 Litaniae laurentanae 4 voci, 2 violini, 2 viole, 2 trombe e organo 1668 Autorenschaft unsicher
745 - V/38 Litaniae laurentanae 4 voci, 2 violini, 3 tromboni ad lib. e organo 1674
744 - V/59 Litaniae laurentanae 4 voci, 4 viole, 3 tromboni, violone e organo 1674
746 - V/76 Litaniae laurentanae 4 voci, 2 violini, 3 viole, 2 trombe, 3 tromboni e organo 1680
746 - V/77 Litaniae laurentanae 4 voci, 2 violini, 3 viole, 3 tromboni e organo 1680
743 - V/39 Litaniae BVM breves simplices 4 voci, violone e organo 1675
792 - III/44 Magnificat anima mea Dominum (Vesperae de sabbatho) 1689
705 - IX/10/1 Regina coeli 2 voci e strumenti 1678 Autorenschaft unsicher
705 - IX/10/2 Regina coeli 2 voci e strumenti 1678 Autorenschaft unsicher
711 - VI/3 Salve regina basso, 2 violini, 2 viole e organo 1666 Autorenschaft unsicher
770 - VI/1 Salve regina a. 6 1665
771 - VI/25 Salve regina 4 voci, 3 viole, violone e organo 1671
772 - VI/11/1 Salve regina 4 voci, 2 violini, 2 viole e organo 1681
672 - III/118a Vesperae breves (enthält nur Dixit Dominus) 4 voci e organo 1677 Autorenschaft unsicher
791 - III/50 Vesperae de confessore 4 voci, 2 violini, 3 viole ad lib., 3 tromboni ad lib., viole e basso continuo (organo) 1680 ca.
793 - III/53 Vesperae dominicales et de confessore 4 voci, 2 violini, 2 viole e organo 1692

Instrumentalwerke

Inventar-Nr. Titel Besetzung Komponiert Notiz
666 - IV/147 Sonata a 10 2 violini, 3 viole, 2 viole da gamba, 2 trombe e organo 1665 Autorenschaft unsicher
789 - IV/201 Sonata vespertina 2 violini, 2 trombe, 3 tromboni e basso continuo 1665
785 - IV/9 Sonata S Mauritii 2 violini, 2 trombe, 3 viole e 3 tromboni ad lib. 1666
783 - IV/11 Sonata laetitiae 2 violini e 3 viole 1666
732 - IV/25 Sonata paschalis 2 violini, 2 viole e basso continuo 1666 Autorenschaft unsicher
733 - IV/40 Sonata sancti Spiritus 2 violini e 3 viole 1666 Autorenschaft unsicher
726 - IV/69 Sonata a 7 2 violini, 3 violoni, 2 trombe e organo 1666 Autorenschaft unsicher
722 - IV/146 Sonata a 5 2 violini, 3 viole e organo 1666 Autorenschaft unsicher
724 - IV/156 Sonata a 6 2 violini, 4 viole e organo 1666 Autorenschaft unsicher
727 - IV/157 Sonata a 7 2 violini, 3 viole, 2 trombe e organo 1666 Autorenschaft unsicher
728 - IV/178 Sonata a 10 2 violini, 2 viole, 2 trombe, 3 tromboni e organo 1666 Autorenschaft unsicher
725 - IV/181 Sonata a 6 2 violini, 3 viole e organo 1666 Autorenschaft unsicher
729 - IV/198 Sonata a 10 2 violini, 2 viole, 2 trombe, 3 tromboni e organo 1666 Autorenschaft unsicher
779 - IV/70 Sonata a 5 violino, 2 viole, tromba, trombone e organo 1666 ca.
781 - IV/177 Sonata a 6 2 violini, tromba, 2 cornetti, violone e organo 1666 ca.
731 - IV/35 Sonata la posta 3 violini e 3 tromboni 1667 Autorenschaft unsicher
665 - IV/47 Sonata a 5 2 violini, 3 viole e organo 1667 Autorenschaft unsicher
720 - IV/140 Sonata a 5 2 violini, 3 tromboni e organo 1667 Autorenschaft unsicher
718 - IV/141 Sonata a 4 2 violini, 2 viole e organo 1667 Autorenschaft unsicher
IV/189 Sonata a 5 2 violini, 3 viole e organo 1667
721 - IV/214 Sonata a 5 2 violini, 3 viole e organo 1667 Autorenschaft unsicher
782 - IV/13 Sonata a 8 violino, 3 viole, tromba, 3 tromboni e organo 1667 ca.
787 - IV/176 Sonata tribus quadrantibus violino, tromba, trombone e basso continuo 1667 ca.
773 - XIV/239 Serenada a. 6 ca. 1667
775 - XIV/91 Serenata violino, 2 viole, 2 trombe e clavicembalo 1670
738 - XIV/180 Balletti pro tabula 2 violini, 2 viole, violone e organo 1670
645 - XIV/123 Balletti violino, 2 viole, tromba, 2 tromboni e clavicembalo 1670 ca. Autorenschaft unsicher
784 - IV/202 Sonata natalis 2 violini, 4 viole, 2 trombe e basso continuo 1674
742 - XIV/92 Intrada con altre ariae violino, 2 viole, violone, 3 piffari, fagotto, 2 trombe e organo 1679
776 - XIV/98 Serenata 2 violini, 2 viole, 2 violoni, 5 tromboni e timpani 1680
741 - XIV/124 Intrada violino, 2 viole, violone, 2 trombe e clavicembalo 1683
788 - IV/199 Sonata venatoria violino, 2 viole, 2 trombe e basso continuo 1684
737 - XIV/165 Balletti per il carenuale violino, 2 viole, violone, 2 trombe, 3 piffari, clavicembalo e violone 1688
780 - IV/224 Sonata a 5 violino, 2 viole, 2 trombe, violone e organo 1689
XIV/245 Ingressus violino, 2 viole, 2 trombe e basso continuo prima del 1690
774 - XIV/45 Serenata violino, 3 viole, 5 trombe, violone/clavicembalo e timpani 1691
769 - XIV/44 Offertur ad 2 choros 2 violini, 6 viole e violone/clavicembalo 1692
778 - IV/200 Sonata a 5 violini, 2 viole, 2 trombe e organo dopo il 1680
786 - IV/10, 13 Sonata S Petri et Pauli tromba, 3 tromboni, violino e 3 viole
777 - IV/43 Sonata a 4 Be mollis tromba, violino, 2 viole e basso continuo

Literatur

  • Paul Nettl: Die Wiener Tanzkomposition in der zweiten Hälfte des 17. Jahrhunderts. In: Studien zur Musikwissenschaft 8 (1921), S. 45–175; JSTOR:41460332.
  • Paul Nettl: Zur Geschichte der Musikkapelle des Fürstbischofs Karl Liechtenstein-Kastelkorn von Olmütz. in: Zeitschrift für Musikwissenschaft. 4/2 (1921), S. 485–496.
  • E. H. Meyer: Die Bedeutung der Instrumentalmusik am fürstbischöfliche Hofe zu Olomouc (Olmütz) in Kroměříž (Kremsier). In: Musikforschung. 9 (1956), S. 388–411.
  • Jiří Sehnal: Die Musikkapelle des Olmützer Bischofs Karl Liechtenstein-Castelkorn in Kremsier. In: Kirchenmusikalisches Jahrbuch. 51 (1967), 79–123.
  • Craig A. Otto: Seventeenth-Century Music from Kroměříž, Czechoslovakia: A catalog of the Liechtenstein Music Collection on microfilm at Syracuse University. Syracuse / USA 1977.
  • Don L. Smithers: The Music and History of the Baroque Trumpet before 1721. 2. Auflage. Carbondale 1988.
  • Jiří Sehnal, Jitřenka Pešková: Caroli de Liechtenstein-Castelcorno episcopi Olomucensis operum artis musicae collectio Cremsirii reservata (also: Die Sonder-Sammlung der musikalischen Kunstwerke des Karl von Liechtenstein-Castelcorno, Bischofs von Olmütz, zu Kremsier). Band 1: Prag 1997, Band 2: Prag 1998 (darin thematischer Katalog: S. 571–649).
  • Jiří Sehnal: Pavel Vejvanovskýs Beziehungen zu Schlesien. In: Musikkultur in Schlesien zur Zeit von Telemann und Dittersdorf. Berichte der musikwissenschaftlichen Konferenzen in Pszczyna/Pless und Opava/Troppau 1993. Sinzig 2001, S. 237–248.
  • Jiří Sehnal (Hrsg.): Musik des 17. Jahrhunderts und Pavel Vejvanovský. Sborník Kroměříž 1993/ Brno 1994, darin:
    • Helmuth Krones: Modalität und Tonalität im Œuvre Vejvanovskýs und seiner Zeitgenossen. S. 205–217.
    • Dieter Haberl: P. J. Vejvanovský: Sonata tribus quadrantibus. S. 219–236.
  • Jiří Sehnal: Pavel Vejvanovský and the Kroměříž music collection - Perspectives on seventeenth-century music in Moravia. Olomouc / CS 2008.

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