Ziegfeld girls were the actresses, singers, chorus girls, showgirls and other female performers who appeared in Florenz Ziegfeld's theatrical Broadway revue spectaculars known as the Ziegfeld Follies (1907–1931, 1934, 1936, 1943, and 1957), produced in New York City. The revues were originally based on the Folies Bergère of Paris. Ziegfeld girls also included female performers who participated in the Ziegfeld Midnight Frolic (1915-1921, 1929) and the Ziegfeld 9 O'Clock Revue (1919-1920).
Style
These showgirls followed on the heels of the Florodora girls, who had started to "loosen the corset" of the Gibson Girl in the early years of the 20th century. Decked out in Erté designs, they gained many young male admirers and became objects of popular adoration.
The showgirls were picked to be similar in appearance and in stature. They danced in complete synchronization, and were the only act that was uniform in the Ziegfeld Follies.
The Ziegfeld Ball in New York City continued as a social event of the season for years after the last production of the Follies.
Relationships
Many of the performers were persuaded by suitors to leave the show to marry, some to men of substantial wealth.
In 1897, Ziegfeld made a common-law marriage with Anna Held, one of his stars. They were never legally married, but they lived together long enough to be considered so legally. In 1913, Held divorced Ziegfeld because of his infidelities with Lillian Lorraine, another Ziegfeld girl.[1]
Soon after that, Held died and Ziegfeld married another of his stars, Billie Burke. Although Ziegfeld had several affairs, Burke claimed that Lorraine was the only one of whom she was jealous.[1] Ziegfeld remained married to Burke (and in love with Lorraine) until his death in 1932.
Although many future stars started out as Ziegfeld girls, other women who became notable had been rejected by Ziegfeld for his revue. Norma Shearer (in 1919 and 1920), Alice Faye (in 1927), Joan Crawford (in 1924), Gypsy Rose Lee (in 1927), Lucille Ball (in 1927 and 1931), Phyllis Haver (in 1915), Eleanor Powell (in 1927), Ruby Keeler (in 1924), Hedda Hopper (in 1913), and June Havoc (in 1927 and 1931) were among the many hopefuls that the master showman discarded after auditions. In 1957, the then-current members were featured as mystery guests on the television panel show What's My Line?[8]