Struggling young actors (three males and three females) share an apartment to make ends meet. This scenario is pretty daring considering the conservative and censorious attitudes of that period. The landlady provides a play to the actors that turns out to have been left behind long ago by a destitute, evicted tenant (Robert Benchley). That former tenant is now a successful theater producer and playwright who has recently taken a room in his old haunts to recharge his creativity and try to rewrite his first play—one that the landlady had kept when he was evicted. The young actors attempt to sell his own play to him. Complications begin when Cousin Muriel (Florence MacMichael) visits and discovers the sinful cohabitation; she tattles to her folks, who charge over to investigate and drag the daughters home. Silliness and mayhem ensue, propelled by Muriel's actions and highlighted by her unique little-girl, tattletale voice.
The play on which the film is based opened at the Windsor Theatre, New York City, on February 11, 1941, with Alfred Drake, Barbara Bel Geddes, and Mabel Paige in the cast.
Reception
The film was described as a "light farce comedy that has to do with a care-free group of young actors and actresses all living together."[2]
