Wyndham Paul Wise is a Canadian film historian, critic, editor and publisher. He was the founder and editor-in-chief of the film magazine Take One: Film & Television in Canada (1992-2006).
Career
Born in London, England, Wyndham Wise was raised in Don Mills, a suburb of Toronto. He has a M.A. from the Graduate School of Drama, University of Toronto, and a Master of Fine Arts from the Graduate Programme in Film and Video, York University. On stage as a child with the Don Mills Players, he was the first film contributor to the monthly city listings in Toronto Life magazine (1972–74).
During the mid-1970s, Wise was part of the nascent Toronto underground theatre scene, producing Shop-Talk (Toronto Free Theatre, 1976), Spinning (CEAC and P.S. 1. NYC, 1977) and Con/Notes (produced by Theatre Passe Muraille at CEAC, 1977) with Richard Shoichet.[1] He was cameraman and editor on several installations by the noted Canadian artist Noel Harding, and he also produced and directed three 16-mm shorts: Garbage (1974), A Sound Film (1975) and Spinning (1976). Wise was a volunteer driver during the first Toronto Festival of Festivals (1976) and appeared in commercials, on television and in feature films, including a bit part in the Toronto-shot children's classic The Black Stallion. In 1982, he co-produced the documentary Liona Boyd First Lady of the Guitar for C Channel and Liona Boyd in Concert, which was broadcast on Global TV in 1983.
In 2001, Wise edited Take One's Essential Guide to Canadian Film, published by the University of Toronto Press, a concise history of Canadian cinema.[4] In 2008, Wise was hired by the Canadian Society of Cinematographers to edit CSC News, which he transformed into Canadian Cinematographer in 2009. That year, his historical survey "Up from the Underground: Filmmaking in Toronto from Winter Kept Us Warm to Shivers" appeared in Toronto on Film[5] published by the Wilfrid Laurier Press.