The song was first recorded by Dionne Warwick in the fall of 1962, and was the B-side of Warwick's single "This Empty Place" (also recorded in the fall of 1962) in the spring of 1963; the track was also featured on Warwick's debut album Presenting Dionne Warwick. Warwick's rendition became a chartingsingle in France, reaching No. 79 in 1963.[1] It was included again on Warwick's third album Make Way for Dionne Warwick. The song was originally published by Jonathan Music Co., Inc., a music publisher owned by the husband and manager of Kitty Kallen. (By contrast, other than their songs written for movies, Bacharach and David were publishing their songs mainly with their own publishing companies at the time, Blue Seas Music, Jac Music, and through the Leiber & Stoller-owned U.S. Songs, Inc.). Several of Kallen's mid-1960s singles, including "Star Eyes", "Make Someone Love You", and "I'll Teach You How To Cry", had B-sides published by Jonathan music, though Kallen did not end up recording "Wishin' and Hopin'".
In February 1964, Springfield met with Burt Bacharach in New York City to listen to other songs to consider recording. Bacharach recalls at that time: "I [think] I tried to talk her into releasing 'Wishin' and Hopin'' [as a single] because she had some ambivalence about it."[3]
Springfield's version is recorded in the key of B major with a tempo of 108 beats per minute.[4]
A New Yorkdisc jockey, Jack Lacy, played "Wishin' and Hopin'" following some encouragement from David and Bacharach, and Philips' US label issued it[5] as a single in May 1964; "Wishin' and Hopin'" broke nationally that June, entering the Top Ten in July to peak at No. 6 on the Billboard Hot 100 and No. 4 Easy Listening,[6] No. 4 in Cashbox. It also got to No. 1 on The American Bandstand top ten in July 1964. Cash Box described it as "a tantalizing, cha cha beat-ballad affair that Dusty waxes in money-in-the-bank-for-all-concerned fashion" with a "superb ork-choral arrangement."[7]
The release of "Wishin' and Hopin'" as a concurrent UK single release for Springfield was precluded by the presence on the UK charts of Springfield's single "I Just Don't Know What to Do with Myself" – one of the songs Bacharach had pitched to her when they met in New York City in February 1964. "Wishin' and Hopin'" was recorded by UK band The Merseybeats, whose inaugural single had been another song (reissued in 1982) from the Presenting Dionne Warwick album: "It's Love That Really Counts" (UK No. 24). The Merseybeats "Wishin' and Hopin'" peaked at No. 13 on the UK Singles Chart in 1964, the same week Springfield's "I Just Don't Know What to Do with Myself" spent at its No. 3 peak. Another UK male vocal group, The Eagles, also had a single release of "Wishin' and Hopin'", although it was the B-side of their non-charting single "Write Me a Letter".
Despite not being a UK hit single for Springfield, "Wishin' and Hopin'" was strongly identified with her in the UK public consciousness: she performed the song with the Merseybeats on the 8 August, 1964 episode of Ready Steady Go! – actually both acts lip-synched to a track spliced together from their respective versions – and on that show's Sound of Motown edition broadcast 28 April, 1965 which Springfield hosted, the only one of her own songs she performed was "Wishin' and Hopin'" with the vocal accompaniment of Martha Reeves and the Vandellas.
Springfield recorded foreign-language versions of "Wishin' and Hopin'" in July 1964: in Italian as "Stupido Stupido" – which was a combination of lyrics in Italian and English, the latter being newly written rather than taken from the original song – and in German as "Warten Und Hoffen".[2] "Wishin' and Hopin'" was also a hit for Springfield in Australia (No. 2), New Zealand (No. 3), South Africa (No. 2),[8] and Canada (No. 2).[9]
Charts
Weekly chart performance for Springfield's version
Ani DiFranco's rendition of this song recorded in 1995 and released in November 1995, was featured over the opening credits of the film, My Best Friend's Wedding, and included on the US double platinum-selling soundtrack album.[15] That film, along with the Austin Powers films, is suggested to have led to a renewed popularity of the Bacharach-David catalog.[16]
^Dominic, Serene (2002). Burt Bacharach, song by song: the ultimate Burt Bacharach reference for fans. London: Omnibus Press. p. 105. ISBN0-8256-7280-5.
