Winchester '73

This article is about the film. For the rifle, see Winchester rifle § Model 1873.

Winchester '73
Theatrical release poster by Reynold Brown
Directed by	Anthony Mann
Screenplay by	Borden Chase Robert L. Richards
Story by	Stuart N. Lake
Produced by	Aaron Rosenberg
Starring	James Stewart Shelley Winters Dan Duryea Stephen McNally
Cinematography	William H. Daniels
Edited by	Edward Curtiss
Music by	Joseph Gershenson (musical director)
Color process	Black and white
Production company	Universal Pictures
Distributed by	Universal Pictures
Release date	July 12, 1950 (1950-07-12)
Running time	92 minutes
Country	United States
Language	English
Box office	$2,250,000 (US rentals)[1]

Winchester '73 is a 1950 American Western film noir directed by Anthony Mann and starring James Stewart, Shelley Winters, Dan Duryea and Stephen McNally. Written by Borden Chase and Robert L. Richards, the film is set in 1876 in a variety of famed Western locations and follows the journey of a prized rifle from one ill-fated owner to another, as well as a cowboy's search for a murderous fugitive. It is the first Western film collaboration between Mann and Stewart, the first of eight films that they made together, and was filmed in black and white. It is also the first film from which an actor received a percentage of the receipts, a practice known as "points", as compensation.

Among the film's cast of supporting actors, Rock Hudson portrays a Native American, and Tony Curtis plays a besieged cavalry trooper, both in minor roles at the beginning of their careers.

The film received a Writers Guild of America Award nomination for Best Written American Western. In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".^[2]

Plot

Lin McAdam and Frankie Wilson are searching for Dutch Henry Brown, with whom Lin has a personal score to settle. They find him in a saloon in Dodge City, Kansas, but cannot fight due to the presence of Sheriff Wyatt Earp. Lin enters the town's Centennial shooting contest for a prized Winchester 1873 rifle. Lin wins and goes to his room at the boarding house to pack. There, Dutch ambushes him, steals the rifle and rides away with two cohorts.

Arriving at Riker's Bar, they find Native American trader Joe Lamont, who sees the prized Winchester and becomes determined to own it. He raises the prices of his guns and ammunition supply so high that Dutch and his men cannot afford to buy any. Dutch's only option is to trade the rifle for Lamont's three hundred dollars in gold, plus their pick of weapons. Dutch makes the trade and tries to get the rifle back by gambling the three hundred in a poker game against Lamont, but loses.

Lamont takes his guns to meet Native American buyers, but their leader Young Bull prefers the prized Winchester. When Lamont refuses to sell it, he is robbed and scalped.

Lin McAdam (Stewart) shooting in the rifle contest.

Meanwhile, former saloon girl Lola is in a wagon with her fiancé Steve Miller traveling toward a new home. Pursued by Young Bull and his warriors, they realize that they will not be able to outrun them. Panicking, Steve jumps on his horse and rides off to find help. Not far ahead, Steve sees a small encampment of soldiers. He races back for Lola, and together they make it into the soldiers' camp. That night, Lin and Wilson, chased by the same Native Americans, also ride into the encampment.

The soldiers are new to the territory. Lin gives their sergeant tactical advice for fighting Native Americans, and they prepare for an attack expected early the next morning. After a fierce battle in which Young Bull is killed, the Native Americans leave, and Lin and High-Spade depart to continue searching for Dutch. Unknowingly, they ride past the coveted Winchester where Young Bull had dropped it when he fell. It is found by a trooper, and the Sergeant gives it to Steve.

Lola Manners (Shelley Winters) accepting Lin McAdam's revolver just before the Native American attack.

Steve and Lola reach the Jameson house, which is set to become theirs. He wants her to stay with the Jamesons while he goes to meet outlaw Waco Johnny Dean, but Waco and his men arrive unexpectedly, chased by a posse that surrounds the house. When Waco sees the Winchester, he too covets it. He provokes Steve into a gunfight and kills him. Waco and Lola escape the posse and ride to Dutch's hideout. Dutch claims that the rifle is his and forces Waco to return it.

The gang goes to Tascosa, Texas, to commit a robbery. They are joined by Lin and Wilson. Waco attempts to shoot Lin and is killed, while around them, the robbery goes awry and Lola is wounded. Wilson reveals to Lola that Dutch is Lin's brother, and that Dutch had robbed a bank and a stagecoach and returned to the family home, hoping to hide out. When their father refused to help him, Dutch shot him in the back, and Lin has sworn revenge.

Lin confronts Dutch on a rocky hill and calls him by his real name, Matthew. They shoot it out on the hill, and Lin kills him, reclaiming the Winchester.

Cast

Stewart during the Native American attack

• James Stewart as Lin McAdam
• Shelley Winters as Lola Manners
• Dan Duryea as Waco Johnny Dean
• Stephen McNally as Dutch Henry Brown / Matthew McAdam
• Millard Mitchell as High-Spade Frankie Wilson
• Charles Drake as Steve Miller
• John McIntire as Joe Lamont
• Will Geer as Wyatt Earp
• Jay C. Flippen as Sergeant Wilkes
• Rock Hudson as Young Bull
• John Alexander as Jack Riker
• Steve Brodie as Wesley
• James Millican as Wheeler
• Abner Biberman as Latigo Means
• Tony Curtis as Dean (credited as "Anthony Curtis")
• James Best as Crater

Production

James Stewart and Jay C. Flippen

The film was originally intended to have been directed by Fritz Lang, but Universal did not want Lang to produce the film through his own company, Diana Productions.^[3][4] Lang's idea was for the rifle to be Stewart's character's only source of strength and his only excuse for living, making the quest for his rifle a matter of life and death.^[5]

With Lang out of the picture, Universal produced the film with up-and-coming Anthony Mann, Stewart's choice (he had admired The Furies), directing. Mann had Borden Chase rewrite the script ^[6] to instead make the rifle a bone of contention, showing it passing contentiously through the hands of a variety of people.

Mann said, "I didn't like the property; I didn't like Winchester at all. This was Lang's version. I was working at Metro and everybody was pressuring me to make the film and I said, 'T'd like to make the film, if you let me rewrite it completely. I want a new writer, new everything; I don't want the property the way it is.' Finally, after a lot of haranguing, they agreed that I could do that and I brought in Borden Chase and we started from scratch on the script and it developed day by day."^[7]

Stewart had wished to make Harvey for Universal-International, but the studio could not afford his $200,000 salary ($2.01 million in today's dollars),^[8] so studio head William Goetz offered to allow Stewart to make both Harvey and Winchester '73 for a percentage of the profits, spread over some time and at a lower capital gain tax rate than a single payment to Stewart would be.^[9][10] Stewart's agent Lew Wasserman was able to get his client 50 percent of the profits, eventually amounting to $600,000 from the film's unexpected success.^[11][12] Stewart's deal also gave him control of the director and co-stars.^[13] It is acknowledged as the first confirmed time in the sound era that a film actor received some of the movie's receipts as compensation, a practice now called "points".^[14]

Casting

Stewart was already cast in the part of Lin McAdam and spent a lot of time practicing with the rifle so that he would look like an authentic Westerner. As Mann later related, "[Stewart] was magnificent walking down a street with a Winchester rifle cradled in his arm. And he was great too actually firing the gun. He studied hard at it. His knuckles were raw with practicing... It was those sorts of things that helped make the film look so authentic, gave it its sense of reality." An expert marksman from the Winchester company, Herb Parsons, did the trick shooting required for the film and assisted Stewart with his training.

Shelley Winters was cast as a dance-hall girl. Winters did not understand the film, nor think much of her part in it, saying, "Here you've got all these men... running around to get their hands on this goddamn rifle instead of going after a beautiful blonde like me. What does that tell you about the values of that picture? If I hadn't been in it, would anybody have noticed?"^[15]

The part of Wyatt Earp was given to Will Geer, who was not alone by feeling that he was miscast for the role. Millard Mitchell was cast as High-Spade Frankie Wilson. That same year, Mitchell appeared in The Gunfighter starring Gregory Peck. He would appear in another Stewart-Mann Western The Naked Spur (1953) as a grizzled old prospector.

Jay C. Flippen appears as cavalry sergeant Wilkes. He would also appear in the second Stewart-Mann Western Bend of the River (1952) with Rock Hudson, who appears in Winchester '73 as a Native American.

The Stewart and Mann collaboration established a new persona for Stewart, more violent and disillusioned than ever before, but still likable.^[16]

Locations

Winchester '73 was filmed at:

• Mescal, Arizona, U.S.
• Old Tucson, 201 S. Kinney Road, Tucson, Arizona, U.S.
• Backlot, Universal Studios, 100 Universal City Plaza, Universal City, California, U.S.^[17]

Reception

As part of the publicity campaign for the release of the film, Universal Pictures sponsored a contest, by placing magazine ads, to find some of the rare remaining "One of One Thousand" Model 1873 Winchester rifles.^[18] This resulted in many previously unknown original rifles being brought into the spotlight, and drew public interest to the field of antique gun collecting. The winner of the contest received a new Winchester Model 1894 rifle, for the Model 1873 was out of production at that time.^[19]

The film was a financial success, turning a significant profit. It has since gained a reputation as a classic of the Western genre, and durably helped to redefine the public perception of James Stewart.^{[citation needed]}

Contemporary reviews have been enthusiastic. Writing for the Telegraph, Martin Chilton gave the movie five stars out of five, and described the film as "the first in a series of Western masterpieces".^[15] In Empire, William Thomas calls the film "the marvellously-scripted story of a man and a gun". He also awarded five stars out of five.^[20] The film holds a 100% rating on Rotten Tomatoes, based on 27 reviews, with an average of 8.5/10.^[21]

Honors

The film received a Writers Guild of America Award nomination for Best Written American Western.^{[citation needed]} In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".^[2]

Remake

Winchester '73 was remade as a made-for-TV film in 1967 featuring Tom Tryon, John Saxon, Dan Duryea, John Drew Barrymore, Joan Blondell, John Dehner and Paul Fix. The remake was directed by Herschel Daugherty, with cinematography by Bud Thackery.

See also

• Babel, a non-linear film that features various owners of a prized rifle.
• Gun, a 1997 anthology television series following sequential owners of a semi-automatic pistol.
• The King's Ankus, a tale in Rudyard Kipling's The Second Jungle Book that follows a valuable object as it causes murderous acts.

References

1. 'The Top Box Office Hits of 2006', Variety, January 3, 1951.
2. Mike Barnes (December 16, 2015). "'Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry". The Hollywood Reporter. Retrieved December 16, 2015.
3. Munn, Michael (2007). Jimmy Stewart: The Truth Behind the Legend. Robson, p. 198.
4. Grant, Barry Keith (2003). Fritz Lang Interviews. University Press of Mississippi. p. 57. ISBN 9781578065776.
5. Lang 2003, p. 57.
6. Basinger, Jeanine (2007). Anthony Mann. Wesleyan University Press, p. 79.
7. Wicking, Christopher; Pattinson, Barrie (July–October 1969). "Interviews with Anthony Mann". Screen. Vol. 10. p. 49.
8. Johnston, Louis; Williamson, Samuel H. (2023). "What Was the U.S. GDP Then?". MeasuringWorth. Retrieved November 30, 2023. United States Gross Domestic Product deflator figures follow the MeasuringWorth series.
9. Eyman, Scott (2005). The Lion of Hollywood: The Life and Legend of Louis B. Mayer. Robson, p. 456.
10. Basinger 2007, p. 79.
11. McDonald, Paul (2000). The Star System: Hollywood's Production of Popular Identities. Wallflower Press, p. 75.
12. Philip K. Scheuer (July 24, 1955). "A Town Called Hollywood: Top Stars Now Share in Profits of Major Pictures". Los Angeles Times. p. d2., quotes Goetz putting the figure at $530,000.
13. Mann, Denise (2008). Hollywood Independents: The Postwar Talent Takeover. University of Minnesota Press, p. 51.
14. Cones, John (1997). The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement. Carbondale, Illinois, United States: Southern Illinois University Press. pp. 19–21. ISBN 9780809320820. Retrieved December 20, 2022.
15. "Winchester '73, review". www.telegraph.co.uk. March 15, 2015.
16. Basinger 2007, p. 80.
17. "Locations for Winchester '73". Internet Movie Database. Retrieved March 21, 2012.
18. Fjestad, Steve (December 14, 2007). "Winchester Model 1873 Rifle". Guns & Ammo. Retrieved February 10, 2013.
19. Gordon, James D. Winchester's New Model of 1873: A Tribute. Self-published, 1997, p. 391.
20. "Winchester 73". Empire. June 25, 2000.
21. "Winchester '73". Rotten Tomatoes.

External links

• Winchester '73 at IMDb (1950 film)
• Winchester '73 at IMDb (1967 TV movie)
• Winchester '73 at the TCM Movie Database
• Winchester '73 at the AFI Catalog of Feature Films
• Winchester '73 film stills
• Winchester '73 at Dan Duryea Central