"Waterboy" (a.k.a. "The Water Boy") is an American traditional folk song. It is built on the call "Water boy, where are you hidin'?"[1] The call is one of several water boy calls in cotton plantation folk tradition.[2]
Numerous artists have written and/or recorded their own versions of this African-American traditional song, including Jacques Wolfe, a Romanian immigrant, and Avery Robinson[3] who popularized "Water Boy" as a jazz song in the 1920s. From 1949 onwards, many blues and folk artists have performed their own arrangements of it.
The opening call to the "water boy" has been said to bear a resemblance to melodies found in classical works by Cui, Tchaikovsky, and Liszt, as well as a Jewish marriage song and a Native American tune.[4] The first melody of the subsequent refrain is similar to the old German tune "Mendebras," used for the hymn "Oh Day of Rest and Gladness."[4][5][6]
Fats Waller - Fats Waller in London (1922),[8]1938 (1938).[9] "Waterboy" was recorded by several other jazz singers around this time, including Earl Hines and John Payne.
Edric Connor in a British Pathé short film (1947);[11] this is also the version arranged by Avery Robinson.
John Lee Hooker (1949): This version appears on The Country Blues of John Lee Hooker, The Unknown John Lee Hooker: 1949 Recordings, and Jack O' Diamonds: 1949 Recordings.[12]
Odetta - My Eyes Have Seen (1959): Song: "I've Been Driving on Bald Mountain/Water Boy".[13] Odetta performed "Waterboy" regularly, and it appears on several of her albums. It is also the song she plays in the film No Direction Home, in a TV performance from the 1960s (which highlighted her influence on Bob Dylan).
Allan Sherman did a parody of the song as "Seltzer Boy" on the album My Son, the Folk Singer (1962). He was sued by the songwriter's estate for copyright infringement and paid damages.[14][15]
^Boyle, Sheila Tully; Buni, Andrew (2005). Paul Robeson: The Years of Promise And Achievement. University of Massachusetts Press. p. 147. The work song, 'Water Boy', is built around the cry for water of a gang of condemned and laboring men. Robeson sang the refrain (the water cry itself, 'Water boy, where are you hidin'?') a cappella and very softly, and the verses themselves ...
^Courlander, Harold (1963). Negro Folk Music U.S.A. Columbia University Press. p. 86. In the cotton fields and the cornfields of the present time, as on the old plantations, the water carrier is in constant demand. The call for the water boy (or girl), in one or another of ... Some water calls such as 'Water Boy, Where Are You Hidin'?' have come to be regarded as true songs, and may be heard on phonograph recordings.