Year
|
International Jury Grand Prize
|
International Jury Distinction
|
International Jury Best Director Award
|
Audience Award
|
Best Short Film Award
|
High School/Student Jury Distinction
|
2013 |
Rose by Wojciech Smarzowski (Poland) |
Camp 14 - Total control Zone by Marc Wiese (Germany) |
Omar by Hany Abu-Assad (Palestine) |
Camp 14 - Total control Zone by Marc Wiese |
Machsom by Joel Novoa (USA) |
-
|
2014 |
Tangerines by Zaza Urushadze (Estonia/Georgia) |
Canopy by Aaron Wilson (en, Australia/Singapore) |
Boys of Abu Ghraib by Luke Moran (USA) |
- |
Habana by Edouard Salier (France) |
-
|
2015 |
Soleil de plomb (Zvizdan) by Dalibor Matanic (Croatia/Serbia/Slovenia) |
À peine j'ouvre les yeux by Leyla Bouzid (France/Tunisia/Belgium) |
Son of Saul by Laszlo Nemes (Hungary) |
Censored Voices by Mor Loushy (Israel/Germany) |
Bendito Machine V - Pull the trigger by Jessie Malis Alvarez (Spain) |
-
|
2016 |
Fuocoammare, par-delà Lampedusa by Gianfranco Rosi (France/Italy) |
A Good Wife (Dobra zena) by Mirjana Karanovic (Serbia /Bosnia-Herzegovina/Croatia) |
Tombé du ciel by Wissam Charaf (Libanon/France) |
Les Oubliés by Martin Zandvliet (Germany/Denmark) |
No news from home by Patrick Zocco (France) |
Les Oubliés by Martin Zandvliet (Germany/Denmark)
|
2017 |
Last Men in Aleppo by Feras Fayyad (Denmark/Syria) |
To the actor Meinhard Neumann for the film Western by Valeska Grisebach (Germany/Bulgaria/Austria) |
Women of the Weeping River by Sheron Dayoc (Philippines/France) |
The Yellow Birds by Alexandre Moors (USA) |
Battalion to my beat by Eimi Imanishi (USA) |
Meteor Street by Aline Fischer (Germany)
|
2018 |
Chris The Swiss by Anja Kofmel (Switzerland/Germany/Croatia/Finland) |
Los Silencios by Beatriz Seigner (Brasil/Colombia/ France) |
Cold War by Pawel Pawlikowski (Poland/UK/France) |
Funan by Denis Do (France/Belgium/Luxembourg/Cambodia) |
Animal by Jules Janaud et Fabrice Le Nezet (France) |
Los Silencios by Beatriz Seigner (Brasil/Colombia/ France)
|
2019 |
Pour Sama by Waad al-Khateab and Edward Watts (UK) |
Monos by Beatriz Seigner (Colombia) |
Papicha by Mounia Meddour (Algeria/France/Belgium) |
Pour Sama by Waad al-Khateab and Edward Watts (UK) |
- |
Papicha by Mounia Meddour (Algeria/France/Belgium)
|
2020 |
The Flying Circus by Fatos Berisha (Kosovo) |
Les Leçons persanes by Vadim Prelman (Russia/Germany/Belarus) |
La Toile de l'Araignée by Andrès Wood (Chile) |
Les Leçons persanes by Vadim Prelman (Russia/Germany/Belarus) |
- |
1982 by Oualid Mouaness (Libanon/France/Norway/Qatar)
|
2021 |
En Route pour le Milliard (Downstream to Kinshasa) by Dieudo Hamadi (France/Congo/Belgium) |
Olga by Elie Grappe (Switzerland/France/Ukraine) |
- |
L'homme qui a vendu sa peau (The Man Who Sold His Skin) by Kaouther Ben Hania (Tunisia/France/Belgium/Sweden/Germany) |
- |
Et il y eut un matin (Let It Be Morning) by Eran Kolirin (Israel/France)
|
2022 |
Natural Light by Dénes Nagy (Hungary/Latvia/France/Germany) |
Marin des montagnes by Karim Aïnouz (Brazil/France/Germany/Algeria) |
- |
Amira by Mohamed Diab (Egypte/Jordan/United Arab Emirates/Saudi Arabia) |
- |
Butterfly Vision by Maksym Nakonechny (Ukraine/Croatia/Sweden)
|
2023[9] |
In the Rearview (Skad dokad) by Maciek Hamela (Poland/France/Ukraine) |
Fremont by Babak Jalali (USA) |
- |
Goodbye Julia by Mohamed Kordofani (Sudan/Egypt/Germany/France/Saudi Arabia/Sweden) |
The Record by Jonathan Laskar (Switzerland) |
Heroic by David Zonana (Mexico/Sweden)
|