Robert Stevenson wrote the script while recovering in hospital from an operation. He submitted it to Gaumont British under Michael Balcon. Stevenson worked for the studio several years, writing synopses, and graduating to script writing and assistant producing and directing. He was given chance to direct with Tudor Rose.[2]
The film was one of the earliest production efforts from Ted Black.[3] It was supervised by Black and Sidney Gilliat during the six month period when Michael Balcon was in Hollywood.[4]
The film was given a gala premiere in London in May 1936.[5][6]
Writing for The Spectator in 1936, Graham Greene offered a negative review, noting that he had "seldom listened to more inchoate rubbish than in Tudor Rose." Green described Robert Stevenson's direction as "smooth, competent, if rather banal" and criticised the film's historicity, dialogue, writing and scenes. Greene wrote: "There is not a character, not an incident in which history has not been altered for the cheapest of reasons," concluding that the historical-drama genre had reached "the Dark Age of scholarship and civilization."[7]
Variety praised the "marvellous adherance to detail" and "From every angle, it is one of the mo.st interesting pictures ever produced on either side of the ocean. Experienced picture men here think the film will be a huge success In America. Perhaps. But they must not forget that the names In the cast are of relatively; small value in the U. S. and that it will require careful publicity to get moving."[8]
The film was voted the second best British picture of 1936 by readers of Film Weekly magazine, trailing only The Ghost Goes West. Nova Pilbeam won the magazine's Best Acting award, besting Robert Donat for his performance in The Ghost Goes West.[9]
Balcon said he showed the picture to Louis B. Mayer who was so impressed by the quality of the film on its budget he wanted to sign up everyone who worked on it until MGM. However, Balcon says that although Mayer sent a cable, and this was responded to by the filmmakers, Mayer did nothing further.[1]
Nova Pilmbeam later said after she made the film "nothing happened for something like eighteen months. I longed to do something in the theatre but I wasn’t allowed."[10]
^"Their Private Lives". The Telegraph. Queensland, Australia. 11 July 1936. p. 13 (SPORTS FINAL). Retrieved 2 December 2024 – via National Library of Australia.
^""TUDOR ROSE" BRIDGES TIME". The Sun. No. 8232. New South Wales, Australia. 22 May 1936. p. 16 (COUNTRY EDITION). Retrieved 2 December 2024 – via National Library of Australia.
^"CLEVER CHILDREN". The Sydney Morning Herald. No. 30, 730. New South Wales, Australia. 30 June 1936. p. 8 (Women's Supplement). Retrieved 2 December 2024 – via National Library of Australia.
^"BEST FILM PERFORMANCE LAST YEAR". The Examiner. Launceston, Tasmania. 9 July 1937. p. 8 Edition: LATE NEWS EDITION and DAILY. Retrieved 4 March 2013 – via National Library of Australia.
